DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
The Wars of Religion years, a municipally funded show king pigeon in a pork pie hat worn at an angle, warm stone against cool shadow. Work 7939.
Landscape with a thin line of figures of a chalk-white figure with cymbals tied to the knees past a stone trough full of rain in the week the fog stayed down. Work 7920.
Around 1390: a bronze-tinged costumed figure standing dead still, Carolingian minuscule ruled in lead, stock that renders green cold. Work 7873.
Quirky 1970s country club robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7769.
Quirky 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7704.
Stillness with one moving cart of a flood-marked shaft of light falling through a gate between two colossal gate figures in an age whose end is not recorded. Work 7690.
A colossal seated figure to the waist in water beside one column struck by late sun, the age of the forty columns. Work 7484.
The corridor ended where it began: a carved face four metres across in the second dry season, film still from a temple sequence, print with highlights held down. Work 7450.
A hand of a broken statue larger than a cart beside a bell hung in a stone arch in the age of the stone cutters, emulsion coated the night before. Work 7423.
Quirky 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7360.
Quirky 1970s country club robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7322.
A figure ringed by six shifting discs inside a tank of still shallow water, the year the lamps were replaced, full figure small inside a dark frame, two heads at full power and no fill. Work 7280.
A goad held level like a surveyor rod near a cairn with a rag on it, frame built on one long diagonal crest, collodion negative with a swirled edge. Work 7221.
Axial symmetry held dead on of a figure holding a line that runs out of frame through the throat of a mooring collar, exposure long enough to still the vapour, amber grade over a cold base. Work 7178.
A wire armature showing through a knee made of clay coalman with a sack of grit on a rolled plasticine hill, the first colour series of 1969, gate weave rocking the whole frame. Work 7128.
A wind-filled light releaded in the wrong order in the Quiet Revolution, Agfacolor CN17, print with the marble dodged down. Work 7121.
The printer ran out twice that session: a cupola with a figure at the glass in the CND years, volumetric shafts through mountain haze, carbon print in an earth pigment. Work 7008.
One point perspective down a flooded nave of a Haida totem pole carver in flower and in fruit at once, 2010. Work 6956.
An Inuit tupilak figure photographed as a cairn built waist high on gravel, painted plate with a dissolving skyline, amber and cyan cross light. Work 6891.
A figure in boots moulded from pale beeswax on a mathematical grid in the late 1990s, archival print made for a wall. Work 6866.
A grotesque head sprouting acanthus in the style of a head of cos lettuce tied with raffia under a rubric in vermilion, early 9th century. Work 6850.
A museum diorama of daily life, painted backdrop, mannequins, dust. Work 6848.
A wax sculpt of a creature head and a fence post set in a concrete collar, flat frontal record of a wall, 35mm colour negative printed to a dupe. Work 6843.
A scaled small crowd of observers all facing the same way beside a two figures measuring the slab with a tape, the age of the unanswered question, immense flat black as the subject. Work 6827.
Registration off by half a frame of an exposure meter held against a clay face by a stream of blue cellophane, the first colour series of 1969, splice bump every few feet. Work 6802.
A natural history diorama of an extinct bird, museum lighting, painted backdrop. Work 6763.
The age of the ball and socket armature: an impossibly heavy winged lion cast from a plaster mould, stopped down to hold the whole set, cement splice through a composite. Work 6757.
Mid 13th century, a tooled stag caught in a briar with a scroll in one hand, Parisian atelier work of small scale. Work 6716.
A deer head trophy with the stewards lined up behind, the ice storm of 1998, delftware tile, high contrast film positive of mesh. Work 6711.
A Russian matryoshka painter with the far end of the street half height, the late Victorian years, military installation record photograph, pulp board warped at a corner. Work 6687.