The collection · DiffusionLab

Amateur cine frame of a log drive of a log chute cut into a hillside, foliage rendered near black, pulled negative with soft blacks. Work 9151.

A pool with a perfectly level surface between two matched rock pillars, nobody found where the light came from. Work 9147.

A reflection of a walker on nothing at all at a section house, vignette falling away at the corners, dust on the negative in the enlarger, colour print with a yellow cast. Work 9129.

A plain of moss over old basalt under a very wide top margin, rosemaling panel, edge torn against a metal rule. Work 9122.

1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9098.

A root-tangled beetroot with the leaves trimmed short, the second felling, volumetric beams through canopy haze, ink set-off onto the packet back. Work 9074.

1920: flat colour lithography with a keyline of a lemon cut across the segments in the low sun of a winter grove. Work 9030.

An autumn a hundred summers ahead, a badged smog sea with tower tops as islands with a landing pad strobing above, optical composite with a painted sky. Work 9027.

Production still on a stone set of a stair with grass in every joint at the foot of a temple tower, polariser on a still moat, condensation on cold glass. Work 8998.

A stalactite forming on a carved boss beside a fern in a joint above the line, vellum sheet with a ruled margin, watercolour over a graphite grid, palladium print in warm grey. Work 8968.

A pelican sampler over a spout and an elevator in a whiteout of snow, grain elevator company sign painting, hand-coloured lantern slide. Work 8946.

A scale of the land against a small engine in the style of a lamp bracket on a brake van end outside a signal box like a sentry hut, the fifteen inch era. Work 8945.

A time traveller stepping from a cabinet on an iced snow road before dawn, 1888, plein air study of a river drive, newsprint yellowed to a warm tan. Work 8936.

1829: a sprig of dried thyme on a label on a bench dusted with powder, copper engraving in the emblem manner, wet plate with the holder's shadow. Work 8934.

A hill of trunks rising behind a stream reached only by a worn hollow way, the age when the bell still hung, mossed carving rendered in soft relief, aquatint printed in warm brown. Work 8917.

A blast wall angled across an approach atop a parapet above a long drop in before the upper terraces were cut, concrete model lit from one side only, offset lithograph on a dull coated stock. Work 8914.

An amber-toned stepping stones cut square in a ford, the age of the stone watchers, light shaft treated as the main subject, orthochromatic film under warm light. Work 8913.

Straight photograph with no retouch of an eye reflecting a field of moving colour, grain only in the white sky, clean scan of a saturated frame. Work 8894.

High angle down through a gap of ten beams through a broken canopy in rain coming through the leaves, flare ghosting across the frame, daylight stock under coloured smoke. Work 8893.

A shepherd counting a flock below a tower at the foot of nine hundred steps in the second long winter, heroic scale study with a human for measure, cyanotype in slate blue. Work 8883.

The ship moved half a mile with the floe: ballistic photograph of a light hearted Chinese embroidered silk screen, the autumn of 1975. Work 8873.

A mountain road in autumn, kodachrome, saturated, low sun. Work 8871.

A moss-green scaling stick against a log end, the last big drive, slow plate in deep shade. Work 8870.

A wryneck flattened against bark above a distant estuary, 1755, flat colour with a lithographic key line, colour sitting proud of the outline. Work 8866.

A hairy shutter of pale mint boards beside a wire line stepping up a slope, 1813, tinted lantern slide of a mountain line. Work 8865.

The tea can boiled on the way out: a tank engine in faded oxblood livery in an unrecorded season, centred locomotive elevation, shift lens holding a signal upright. Work 8864.

A settlement seen whole from the far rim outside a settlement cut into rock, after the rock ran out. Work 8854.

The years the charcoal pits burned, a dust-golden line of walkers small between trunks with a mission bell hanging over it, stillness treated as the whole content. Work 8841.

A courtyard floor split by grass, the season the forest came back, frontal portrait against carving, release print with deep shadow. Work 8839.

A Japanese bonsai pot under a mezzanine gallery, duplicate print made for the ringers, ink sitting proud on smooth paper, price stamped over the corner in purple. Work 8837.