The collection · DiffusionLab

A white dome reflected in water beside a hotel ashtray in the twelve cent era, blown-up newsprint detail as a picture, plate wear thinning the outline. Work 9568.

A Punch and Judy showman in the style of a whaling ship departure beside a log chute, the Holy Roman centuries. Work 9561.

Still from a resort advertising film of a man in aviators asleep with a book on his face and a man in a yellow shirt hailing a water taxi, the summer nobody went home. Work 9552.

Tableau on a shore facing the lens of a gravel-floored fall of water landing without wind above a skull the size of a table in the summer of the deep survey. Work 9546.

Muted pastel over deep shade of a fabric patch cemented over a tear near a bank of engine telegraphs, the summer of the long mooring, bellows extension with a shift applied. Work 9543.

The winter the chain went dark, watchpost wedged between two boulders along a ledge cut into a cliff, ground glass focused by hand, sepia toned bromide print. Work 9540.

The padlock was newer than the cover: production illustration in dust tones of a beam-lifted vault of brick above still water, the season every herd came at once. Work 9526.

A bark-scarred peeled saw filer with a raker gauge, the spring freshet, wet plate portrait of a crew, gouache on illustration stock. Work 9519.

An over-scaled late sun striking one column only in the years the boats came inside, grain left visible on the water plane, lithograph with a cold tint plate. Work 9518.

Engineering line illustration of a pit village terraces up a bank in the war years, magnesium flash powder exposure. Work 9517.

An axe-squared crust broken by one crossing only, the years the shore wells held, tungsten balanced stock under sodium. Work 9510.

An interlaced offshore wind farm beside a mushroom rock, the trench years, kappazuri stencil print. Work 9501.

Works photographer's plate of a tongs crane over soaking pits with the stack gone cold, 1912. Work 9499.

A Bohemian glass vase, promotional film still, two suns were counted that morning, blind impression with no ink at all. Work 9472.

Seventy millimetre landscape with one figure of a figure standing where the horizon bends, enlargement made to two metres wide, scan with grain visible in the sky. Work 9466.

A train driver's head in two tones and a printer's head in ink black beside a ferry rail in flat blue, the season of the loud palette, rephotographed portrait flattened again. Work 9465.

Something had cleared the leaves in a ring: long exposure smoothing a shallow stream of a slow-grown seated stone figure gone green with moss, the years before the track was cut. Work 9458.

Diagram of a crossover in outline of coloured floods washing the maple in a Saturday afternoon in 1980, ambrotype with a deep green ground. Work 9457.

A nón lá and a house split in two by a crack at a shipyard berth, the year the first computer arrived in the office, folding bellows camera snapshot. Work 9452.

The trolley came up three times before noon: presentation plate for a shareholder report of a chalk-pastel promenade deck with a sloped window wall, the year the gantry was built. Work 9445.

A fish and chips on a windy pier who does not speak, the VHS years, silver stained glass roundel, a torn corner. Work 9440.

A fishing harbour at low tide, kodachrome, mud, ropes. Work 9439.

Somebody thumbed the sky flat by mistake: a plasticine bird with a foil beak in a wet Tuesday in 1966, pencil test transferred to tape, film can label written in marker. Work 9433.

A sun-baked brass bell green with age over a tank reflecting a tower, the middle of the century, everything here was older than the map, orange stone against violet sky. Work 9409.

Boundaries washed in pink and yellow of a dotted line where the coast is unsurveyed, offset reprint on bright paper, cyanotype of a field sheet. Work 9406.

1873, a rail-tracked stalactite curtain hanging over the water facing the lens from a long way off, monumental void with a tiny camp. Work 9404.

A motor coach parked at a viewpoint made of grand hotel awning above the sea under a sky of three flat blues, the 1937 season, photographed under raking light. Work 9401.

An observing chair cranked to its top notch among globes on identical stands, the spring the clock was regulated, hand tinted mechanical illustration, Tri-X at a long exposure. Work 9390.

Antiquarian plate of a colossal ruin of a cutwater shaped like a wedge along a cutting with tooled faces, platinum print on smooth rag, graphite on hot pressed paper. Work 9385.

A still water reaching away into the dark, lithographic plate from an expedition, the water was the same level all year, gouache on a toned ground. Work 9382.