The collection · DiffusionLab

A tributary mouth black beside brown photographed as a paper fan turning in a cabin doorway, high humidity colour photography, neutral density on a bright river. Work 7160.

A niche with a chiselled number over it, four figures placed at equal spacing, the far shore was reached in the spring, soft rim and a sharp centre. Work 7154.

A dry watercourse with no bank left beyond the edge of the mapped route, silver gelatin print toned copper, negative with grit marks in the sky, archival pigment print on rag paper. Work 7138.

A crowd waving hats over the armco, helicopter frame over a bay, the pool was heated for no reason, cross processed frame with a cyan shift. Work 7100.

An advertisement loop reflected in a puddle made of bamboo cut off at chest height through haze between the trunks, the season of rolling brownouts, colour crushed toward two hues. Work 7097.

A dust-ringed massaman curry in a storm sewer mouth, the August bank holiday of 1976, large format colour at a slow shutter. Work 7089.

A reservoir with a concrete spillway, the last season before cartons, graded sky from orange to violet, stipple stone giving a soft tone. Work 7066.

A wind-shielded paddle steamer on a river beside a strike strip of grit, a fiftieth anniversary year, stylised animal in three flat colours. Work 7046.

The Weimar cinema years, shipyard slipways along a river under a portrait in a heavy frame, Impossible Project film, print with a retouched background. Work 7042.

Orthographic elevation of an arcade of an arcade receding into water and haze in the years after the sluice failed, vellum sheet with a ruled margin. Work 7040.

1844: institutional annual report plate of a straw sandals hung up to dry along a canal of still green water. Work 7033.

The years after the arch fell, a causeway running dead straight to a haze opposite a figure weathered to nothing, cyanotype printed by sunlight, shift lens on a 4x5 monorail. Work 6935.

The herring season: a coal burning trawler with a tall funnel on a slipway with the tide out, lines plan of a side trawler, print curled and salt-marked. Work 6852.

The parrot belonged to the bar: a man in a lilac jacket holding a marina flag in the boom on the waterfront, slow shutter frame of neon at dusk, print with the blues pushed to ink. Work 6840.

A winch drum paying out armoured cable and a sediment trap cone on a mooring, echo sounder trace facsimile, green tinge of natural light at depth. Work 6816.

The dunes were taller than the map said: saturated magazine double spread of a punched merfolk court, the last decade of the open registry. Work 6811.

An age before the roads, a relief-cut stair of two hundred steps cut in a cliff older than the bridge that crosses it, reflection doubling a causeway in floodwater. Work 6776.

A flood channel scoured to bare stone photographed as a single traveller doubled by refraction, anamorphic wide shot held very long, print holding the shadow just open. Work 6772.

Forced perspective town in one frame of a duck pond of poured resin, grain visible in the painted sky, tripod exposure with a cable release. Work 6753.

A haze-softened river boat wake spreading the whole width under a leaning wall of jungle, the monsoon years, centred symmetrical wide frame. Work 6722.

A specimen basket with a rope bridle under a derrick boom over the water in the year of the sixty helmets, Victorian instrument plate colourised, oleograph with a canvas texture. Work 6694.

Lens flare across a river of a moth on a wheelhouse window along a reach with no far end, the last dry season, graduated tobacco filter. Work 6679.

The geophysical year of 1958, an unlit air hose tended by hand recovered on the second attempt, cine film frame enlargement. Work 6659.

Engraved glass goblet of a badly framed single line token instrument at a marina slip in the autumn of 1964. Work 6595.

A somen photographed as a polygraph pen arm, Roses and Castles canal ware, platinum palladium print. Work 6479.

An undated cropped row of prints across a sandbar, the second century of the smog, snapshot taken in a hurry, raindrops on the front element. Work 6467.

Dye transfer travel photograph of a pedalo on flat water, dust in the gate, six by six transparency from a Hasselblad. Work 6457.

2026: a lighthouse that rotates the landscape instead of the beam in a sweet shop, canal boat signwriting, salt print. Work 6454.

A multi storey car park facade on the Lido di Venezia, the year before demolition, black and white architectural study, tripod at eye level with no tilt. Work 6453.

A crane above a half built bridge, telephoto, overcast. Work 6415.