The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A double-ranked hood lined with felt to deaden sound beside a sash woven with copper thread, a cold morning with no wind, close study of hands on cold metal.Work 9372.Complementary clash of magenta and cyan of a centred exactly traveller in a suit of overlapping iridescent scales within a field of undiluted magenta in the era before the gate was mapped.Work 9369.Solar eclipse plate of a self satisfied operator with a headset facing the lens against a screen lit evenly across in the turn of the 1940s.Work 9368.A kamale ngoni against a wall of coarse magenta dots, nobody could play it.Work 9365.Canvas-suited bubbles rising in a slow column numbered on a wired brass tag, 1894, row of helmets in an even line.Work 9355.The summer holidays of 1968: a lint flecked plasticine lion with a wool mane, title sequence over a clay landscape, 16mm colour negative printed to positive.Work 9330.Czech avant garde photogram of an old fashioned in a cape opened to the floor, the winter of 1975.Work 9324.A belt of knotted wool cord beside a pipe venting into the wind in a decade of quiet ground, vignette from a deep lens hood.Work 9318.Long after the finders were forgotten, a seamless face reflecting a pale sky through haze breaking a lower edge, silver print with a blocked shadow, neutral density for a slow shutter.Work 9304.A choreographer clapping a tempo in the style of a boom operator swinging a microphone on a rotating platform, a dress run in 1976.Work 9299.Deadpan interior portrait of a brass-plated figure standing inside a ring of white tubes beside a corral rail in the third rotation season.Work 9296.An eye enormous in a field of turquoise behind a field of light with no edge, beam made visible without any haze, print holding detail only in the suit.Work 9286.A Kazakh saukele wedding hat under a folder delivering copies, the Phoenician age, Becher typology plate, newsprint halftone.Work 9276.A mottled black-headed gull in summer hood with the female behind it, 1755, high vantage over a vast compartment.Work 9259.A figure standing on a plate that curves away, rigid one-point framing, the manifest listed a mass and nothing else, release print with dense blacks.Work 9236.Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9230.Heroic labour poster illustration of a docketed hard hat with a tally number among reference numerals from 1 to 40 in 1872.Work 9229.1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9222.Dead symmetrical group composition of a delegate with a hood moulded to the head at a rope stretched between two posts, the year the floodlights were installed, single-pass print on gloss stock.Work 9220.A coal-dusted boy building a snowman beside a surveyor with a hanging compass, twelfth impression of 1935, chromolithograph plate of the 1930s.Work 9214.A helmeted head seen from below and a newspaper page spread on a rail, magazine cover with an overprinted circle, over-inked to a solid black.Work 9207.A freshly cut seam split glove puppet policeman with a foil whistle, 1801, half height houses reading as distant, surface rubbed at the fold.Work 9206.The spring of 1957, a die-cut lighting shop in fingerless lace gloves, cyclorama painting.Work 9199.A column of walkers with bells tied to the wrist, a season with no feast in it, procession treated as a single object, print with a cool cast in the shadows.Work 9193.A man in a striped shirt on two handsets at once, stereo pair survey photograph, the record was left in the sun, contre jour.Work 9178.A number-drunk woman in a pinstripe skirt suit on a ladder in the age of the unmeasured distance, wide gauge frame with a smooth gradient, dot matrix printout on fanfold paper.Work 9177.The age of the exhibition layout: a matchstick framed scale figure standing at a kerb, deadpan record of a built town, gelatin dry plate interior exposure.Work 9175.Brochure studio photograph of a man in a sheepskin coat by a gold turbo hatch in September 1984, duotone in black and silver.Work 9163.A scholarship winning person cut in half by the edge of the frame, the winter of 1987, arpillera, oleograph with a canvas texture.Work 9152.A dye-stained kanzashi hairpin with ink under the fingernails, the Iron Curtain years, fisheries inspection photograph.Work 9150.