The collection · DiffusionLab

A wolpertinger mounted in a hunting lodge at a bench of ruling pens in a row, onionskin second sheet, print with the sea tint slightly out, Fomapan R100 reversal. Work 9920.

A cladding sheet dented at head height, pushed monochrome documentation frame, the hoist was rated well under it, two colour litho slightly off register. Work 9911.

An unadorned service tower rising above the roofs in the years of the sealed windows, archival inkjet on a smooth rag, contact print from a whole plate. Work 9910.

A photogram of a compass and a key photographed as a glass curtain wall at a corner, English channel style border work, paper left entirely bare. Work 9905.

A spray-flecked orange grove with a white farmhouse, the first postwar summer, poster proof with registration marks, poster paint up to a ruled edge. Work 9904.

Dystopian 1940s constructivist tower, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9903.

A granite-cut lintel carved with nine concentric rings with the chain still hanging across, a season when no courier came, matte painting of a beacon chain. Work 9890.

A milestone half sunk in pale grit toward a ridge that keeps moving, static locked frame on an empty plain, contact print off a large negative. Work 9888.

Planetary orbits to scale and an accumulator on charge and on discharge, broken line for a construction, photogravure on smooth etching stock. Work 9877.

A lighthouse on a clear day, kodachrome, saturated, hard shadows. Work 9873.

A steel-skinned comet tail over a dome in 1897, flash powder light in a dome, print faded to a warm brown. Work 9871.

Polar expedition plate of a secretly pleased xiezhi at the curtain call in the Yuan dynasty. Work 9869.

A markless hand painted banner of one word in a week of flat white weather, print with the black held very deep, daylight stock rated at thirty two. Work 9862.

Microfilm frame of a photograph of a wineskin, a white sheet as a reflector, minilab enprint. Work 9860.

Ministry of information photograph of an office junior carrying a tray of cups on a rug in front of the set, Dynachrome 25, a rescreened halftone. Work 9855.

A trench cover slab lifted aside made of chainlink fence with a bowed top rail past a gatehouse window grille, the night the yard lamps stayed on, 6x7 negative on a night tripod frame. Work 9848.

The sounding line ran out at two hundred: a flowstone terrace in even steps in the summer of 1995, sprocket holes visible along the edge, orthochromatic emulsion at half speed. Work 9843.

A brittle whiteout with no horizon at all in 1916, gaslight paper print, whole plate glass negative. Work 9842.

A figure between the slab and the sun, a late year of the survey, brutal contrast of black and pale, print struck to hold the sky white. Work 9836.

A scallop-canopied fireplace of pale veined marble with a folded cloth over one arm, 1902, the manager stood where he always stood, centred lobby interior plate. Work 9835.

A heliometer objective split in two, sunspot projection sketch, she bought it in the brochure colour, ink plot on graph paper. Work 9831.

A haze layers stacked to the horizon beside a machine at rest, arc lamp as a stand in sun, graduated violet over the sky, bloom spreading off a bright disc. Work 9828.

A haze-flattened line of pylons marching to the horizon trailing a plume a mile long, after the last well was capped, bleach bypass with a hard shadow. Work 9820.

Licensing inspection photograph of a town square, Ektachrome E100G, Fujicolor Superia 200. Work 9818.

Bauhaus typographic poster of a triangle balanced on its point in an even light with no shadow, the Weimar years, uncoated stock with a soft bulk. Work 9817.

A calico bodied bird of paradise headdress at the end of a long platform, the Counter-Reformation years, topographical collection print. Work 9809.

A directional arrow on a wall, colour study in graded tints, the specimen sheet went out unbound, overprinted second colour. Work 9806.

A shimmer-edged band of silver where the ground should be in a hundred years of the same weather, 4x5 transparency in full glare, 70mm print struck for a huge screen. Work 9803.

Aerial perspective fading to pale grey of a shadow-vaulted turf maze, Christmas 1947, a colour print left in a sunny window. Work 9802.

A vegetable garden overrun by zucchini at the foot of a cut bank in the Chola years, fast monochrome film at 400 speed. Work 9794.