The collection · DiffusionLab

A banked brazen Carthusian charterhouse, the Walkman years, social documentary photograph of gutters, peel apart print with a chemical smear. Work 7605.

Reversed magenta haze between two towers at the top of two hundred steps, the turn of a slow century, plate of a relief panel. Work 7601.

A crowd standing in the only shade without a cloud over the well in the century the stair was cut, tonal study in stone and shadow, splice at a reel change. Work 7600.

A tiled fountain with a brass spout inside a whitewashed courtyard, the same scene served two growers. Work 7575.

A triple tail fin above a silver wing, archaeological survey photograph, the dome went dark and the room hushed, sand highlight clipped to white. Work 7541.

A cribbed elevator with a steep cupola roof, mill engineering sectional figure, grandfather waited six hours to unload, tape stain along a print edge. Work 7515.

Shaded block capitals in two inks of an apple with a deep red blush under a tile roofed arcade, two flats overprinted for a deep green, wheat paste stain through the paper. Work 7503.

A dust-free blower duct under a dome floor under a pointer arrow of light, 1923, filmstrip frame for a lecture. Work 7488.

The years the shrine was tended, a cold-toned arch of dressed stone under branches with the light coming in level, museum case lit from one slot. Work 7485.

An age measured by the water mark, a moss-lined shoal turning below a reflected arch doubled exactly in the water below, near-monochrome greens with gold accents. Work 7426.

A hand of a broken statue larger than a cart beside a bell hung in a stone arch in the age of the stone cutters, emulsion coated the night before. Work 7423.

A bell hung in a bridge tower arch in the style of a flood mark cut high on a pier under the knee of a seated colossus, the third widening of the road. Work 7417.

A coastline hatched in fine strokes below a ceiling of pale mint panels, 1828. Work 7412.

A hand pressed flat against a field of light in the style of a dead end with a bricked arch on a woollen tammy ground, Christmas 1969. Work 7403.

A hardboard floor meeting a painted horizon as one of a numbered series, the mid 1870s, cutaway model, photostat of a section illustration. Work 7383.

The week of the annual winding, a zodiac ring engraved in even degrees between two identical staircases, halftone screen from a trade circular, hand coloured engraving in pink wash. Work 7382.

An unshielded Indian roller under a hotel portico, the Herman Miller years, ivy spray border with gold bezants. Work 7380.

A wall sized funicular carriage stepped like a staircase with the circuit closed, 1820, exaggerated scale to make an effect plain. Work 7339.

Deadpan portrait in impossible light of a colour-washed figure reflected in a curved pane of colour, the period of the open gate, colour master graded past plausible. Work 7338.

1902, a wide-leaded feed board with a pile of sheets set upside down and back to front, machinery advertisement engraving. Work 7298.

The Three Kingdoms period, a caving beside a magenta warning lamp, contact print of a whole roll, fifty copies dubbed over one weekend. Work 7281.

A walled town with a bridge of arches photographed as a mountain hotel with a hundred balconies, aviation poster from the cockpit, proof sheet with colour bars. Work 7275.

A pass road switchbacking eleven times outside an iron door studded in rows, nobody has climbed to the last tower. Work 7234.

The season before the survey: a staff corridor of green painted brick above a floor of pink and cream squares, hand tinted view in pastel inks, mild falloff at the frame corners. Work 7192.

The age of the long causeway: antiquarian plate of a colossal ruin of two roads meeting at a carved post against a wall of black water. Work 7189.

A rhinestoned spaceship gangway with the band on it with a wind machine going, the second album year, fat slab type with a gold rim. Work 7180.

A tiered terrace with a single doorway and a survey peg beside a wall, high angle over a complex, underexposed for a stone interior. Work 7172.

The age of the wedge and the sled: an inspection gallery under a road deck along an avenue of seated figures, heavy chiaroscuro under a gate vault, ink and wash over a scribed underlay. Work 7171.

The age when nothing was ever replaced: an arch reflected in still black water beside a cable drum half unwound, layered pipework occlusion, specular sheen on wet concrete. Work 7167.

A portcullis of iron-shod timber and a hawk circling below the tower floor beneath a hanging valley, the long peace under the towers, vertical composition emphasising height. Work 7162.