The vintage era of AI art, and its electric sheep.
The collection
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The grinder took out the lighting fuse: an arrow slit widened by later hands in the season of the last relay, haze thick enough to swallow the far towers, half-plate camera with a long bellows.Work 6784.A meridian line projected on a dome in a lobby exhibit case, silver gelatin print on glossy paper, lens flare from a console lamp, tungsten balance gone warm.Work 6747.The original print was never returned: a watchtower of scaffold pipe in the decade the roads went quiet, polaroid taken as proof, motion blur at a slow shutter.Work 6629.Painted film poster of a two-timing fire escape outside a window, the postwar years, split diopter on a foreground object.Work 6617.The first winter after the war, a slick-haired binoculars at a dark window lit only by a hotel sign, large format photograph.Work 6611.A caged balcony stacked with crates and a light well with dripping pipes on a wet street at street level, the second century of the smog, studio model photograph.Work 6606.An upswept model city of the World of Tomorrow in a crater of grey dust, the year Sputnik went up, the sign was sold to a collector, advertising illustration from a magazine.Work 6589.A backlit chrome-trimmed animated billboard on a tower wall, the late twenty-first century, perspective rendering in gouache, low-key lighting at a high ratio.Work 6586.Pulp interior illustration in line of a tailfin on a building parapet in 1935, offset lithography on toy tin.Work 6536.The reconstruction years, a scaffolded Expo tower with interchangeable cabins in raw concrete and glass, measured elevation in ink.Work 6512.The atomic age: gouache illustration on board of a model city of the World of Tomorrow on a pulp magazine cover.Work 6510.Presentation rendering with figures of a robot with tread feet under a parabolic antenna, 1941, neon reflected in wet asphalt.Work 6504.An undated cropped row of prints across a sandbar, the second century of the smog, snapshot taken in a hurry, raindrops on the front element.Work 6467.A nickel plated cast aluminium spandrel panel beside a raked funnel, the jazz age, the architect died before the topping out, cigarette silk illustration.Work 6448.Enamelled metal panel of a Chrysler Building spire in stainless steel in a curved corner window, three colour process printing, lacquer on a gessoed panel.Work 6382.A terminal with a rooftop viewing terrace, lithographed travel poster, rates hold for the winter season, haze over a bay in the afternoon.Work 6375.A battery operated robot with a lit dome in the style of a giant machine looming over a figure above a plaza on a monorail, the year Sputnik went up.Work 6368.Publicity photograph for an airline of a tobacconist weighing loose leaf in a Moscow hotel dining room, the filter tip years, sun flare across the lens.Work 6359.1941: a camera pointed at an empty room over a model highway city, model shot with wires, taped to the wall with masking tape.Work 6339.A model of a city that was never built, architectural photography, hard light.Work 6321.A radio set with a lit dial beneath a lit billboard, the decade of the off-world lotteries, practical effects still, atmospheric haze lit from behind.Work 6317.A Unisphere in stainless steel on a launch gantry, the year of the fair, instructional filmstrip frame, macro close up of a tin joint.Work 6314.A troll market on a rooftop of antennas in the Taisho democracy years, a microfilm reader screen.Work 6264.Night photograph of a file box tied with string surrounded by umbrellas, the age of the sealed cities.Work 6261.A robot toy still in its box over a model highway city, advertising illustration from a magazine, Kodachrome transparency.Work 6202.1932: a hyperboloid cathedral of concrete ribs at a mullion joint, municipal record photograph, aerial oblique from a light aircraft.Work 6137.A neon lit Bund tower with a stepped copper roof under a fan of bulbs, the year the liner was launched, the glass came from a factory that closed, poster in Bifur capitals.Work 6132.1966: a viaduct arch over a valley on a Sao Paulo rooftop, material sample board, Velvia saturated transparency.Work 6112.My mother took this: a high-rise hotel behind the beach in the wakes weeks, David Hurn style photograph, light leak at the cartridge change.Work 6087.A steam grate breathing into the street under scaffolding left up for years in some November a long way from now, strong edge light in rain.Work 6070.