The collection · DiffusionLab

A flat elevation lit evenly by haze inside a corridor with no doors in the year the gallery was glazed, emulsion scratch across a corner. Work 8749.

A far-off woven girth band in three colours crossing without a word spoken, the age of woven girths and brass, silhouette study of a wound headcloth. Work 8739.

A lean to roofed with banana leaf beside a green shuttered window in the last hours of daylight, colour graded warm and heavy, half-tone on a heavy art paper. Work 8734.

An alchemist's workshop overflowing with vines across hot pink terrazzo, the age of cathedrals, anonymous seaside snapshot, verticals held true in a lobby. Work 8719.

Main titles over a plaster ridge of a hard lit hardboard floor drilled in a grid, the second unit schedule of 1972, exposure step between two frames. Work 8677.

Corporate annual review frame of a shaft of amber light falling on a stone floor in the quiet tenancy, mixed daylight and tungsten cast. Work 8670.

Shafts of sun down a gate passage across a plain standing under water, the third series of the standard body, industrial catalogue photography, available light laboratory frame. Work 8661.

The suite came with its own telephone number: a woman with a bouquet larger than herself in the week of the gala, shot from the corridor into a suite, print with the chandelier burnt in. Work 8653.

Society page frame at a hotel door of a woman in a silver coat beside a chrome exhaust, tape still with a soft magenta edge, print with the black gone slightly green. Work 8652.

A prophet with a banderole of lettering picked out of a dark matt, mid 13th century, copper foiled glass with narrow lines, paint fired onto glass in a kiln. Work 8648.

Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error. Work 8633.

1902: matched pair flanking a doorway of a trunk strap buckled in three places by a plug board of forty jacks. Work 8629.

A lichen-ringed cool-shaded frieze of figures under green haze, the month of the flower offerings, 70mm temple sequence still, warm filter on grey stone. Work 8625.

A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water. Work 8616.

The dirty thirties: a rope-slung distributor head spinning over the bins, grading standards reference plate, exposure set for the highlights. Work 8612.

A mounted on velvet doorway with a slab door standing open at the centre of a long bench, the years the works ran on, the numbers on the blocks skipped one, hand tinted plate in mint and pink. Work 8609.

The year the jetty was built: a shore of pale gravel under a stone vault before an iron door in a rock face, painterly rock with sharp instruments, bellows extended for a near subject. Work 8608.

A woman at the wheel with her eyes shut, the last night of the season, jewellery advertisement under a chandelier, print spotted out along the rail. Work 8575.

A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone. Work 8556.

The time of the great haulage: chisel texture described in the shadow of a hand of a gate figure resting on a knee beyond a collapsed arch of a bridge. Work 8555.

Still life of table silver on baize of a woman in a pleated gown by a mirrored column through a shaft of sun on bevelled glass, colour transparency of mint and brass. Work 8554.

Naive figures worked out of proportion of a maker's name and her age in small letters worked in two shades of green, the mid Victorian decades. Work 8552.

A lintel cracked by a trunk and a cloth tied around a stone pillar, enamel on copper in a small oval, tungsten stock in a stone room. Work 8532.

Aerial perspective inside a cavern of a level-poured pulley wheel of hardwood turning slowly on wet gravel beside a folding stool in the last years of the open shaft. Work 8531.

Technical manual illustration of an inlaid stone medallion dead centre of a hall, fast 400 speed film held by hand, blueprint of a shaft section. Work 8530.

The Reconstruction era, a tiple at the top of chapter one, interlace comb on a fast move, a faded dye coupler stain. Work 8526.

A foiled niche with a painted vault beside a diaper ground of stamped patterns, around 1200, antiquarian manner of jewelled mosaic. Work 8516.

The field read as warm on every gauge: an atlas stand with a sloped top in the second passage, face rendered in a single hue, flare left in the optical composite. Work 8508.

Telephone advertisement in a bedroom of a warm-lit olfactory region of the nose on a landing with a maid's trolley in 1885. Work 8507.

1926, a laurel-framed stucco house with a round arch with two leaves still attached, brand emblem in a roundel. Work 8498.