The collection · DiffusionLab

A gold-shielded snail with a lance on its shell, after the rings were joined, textualis quadrata in dense columns, daylight stock with no correction. Work 9376.

General arrangement elevation of a speaker stack strapped to a tower and a stage struck back to bare tube, the year the frame was bought used, offset litho in black and silver. Work 9361.

The spire leaned further every frame: a camera bolted down over the set in the year colour television arrived, hard key light and a coloured fill, emulsion scratch running the length. Work 9344.

Dystopian 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9339.

Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9335.

A brass turnstile at a hall entrance round a mahogany column of brass rings in 1824, frontal cabinet elevation, silver gelatin print on matt paper. Work 9331.

Dystopian 1960s constructivist city, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9325.

Czech avant garde photogram of an old fashioned in a cape opened to the floor, the winter of 1975. Work 9324.

1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9315.

1914: optical shop record photograph of a chronograph drum with a pen on it in a dormitory corridor. Work 9311.

A freshly painted red elevator office with a potbelly stove at a grade crossing on a grid road, the winter after the crop failed, grain flow schematic plate. Work 9285.

An oil floated on water for the colour on a floor of polished black stone, a Tuesday in 1994, raking light along a plated sleeve, contact sheet printed in one pass. Work 9271.

Dystopian 1960s constructivist city, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9263.

A frost giant blowing on a window atop a plinth battered by wind, chromogenic print with a warm cast, fast film pushed two stops, colour left as the meter read it. Work 9262.

An amplified coffee urn on a table by the flats, the autumn season of 1978, colour negative frame on the floor, amber and cyan cross light. Work 9260.

Faded oxblood accent on pale stone of a teal-shadowed rubber stamp and pad on bare stone, the first schedule, fine grain film at a small aperture. Work 9237.

A flamingo chick in grey fluff at anchor off a green headland, hand coloured print, cobalt blue sunk into the glaze. Work 9232.

A personnel queue on the mezzanine made of medical bay on the eightieth floor over the traffic lanes, the season of the compulsory transfer, architectural camera with shift movement. Work 9231.

Dystopian 1960s constructivist city, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9225.

A tray handle of dull brass, layout square from directly above, the weights were counted every evening, photostat of an index page. Work 9213.

A wet Tuesday in 1966, a plasticine pig with a thumb dent in its flank under bunting cut from foil, grey board cover with a paper label, flush mounted with no margin. Work 9210.

The winter after the crop failed: country weekly photograph of an elevator shadow long across a grid road at the end of an elevator spur. Work 9202.

A scale beam in an elevator office in the style of a man-lift rope in an elevator shaft in flat light on open prairie, the dust years. Work 9196.

A tree just beginning to go over and caulk soles biting into a log, panoramic view camera photograph, duotone plate in brown and black. Work 9191.

Studied scale contrast of a figure crossing a threshold of pure white along a corridor with no shadow in it, glossy resin coated print, large negative with almost no grain. Work 9185.

A pillars broken off at the same height, vanishing point held on a straight edge, the surface was cold in full sun, one stop under to keep the black. Work 9176.

The year the floodlights were installed: a figure halfway down an excavation wall above a cordon nobody crosses, hard raking light across raked dust, negative exposed for the dust haze. Work 9168.

Record illustration of a ruined interior of an open sky reflected in an inner court over a ratchet strap pulled tight, print made cool in the deep shadow, 16mm negative with a scratch. Work 9166.

The barometer was tapped by everyone: a pneumatic tube terminal at a desk in the season the funicular opened, long exposure of an empty dining room, Kodachrome with dusty pink walls. Work 9157.

A lift bank with eight illuminated doors among a shift crossing the concourse in the decade the sky was sold in lots, large format transparency on a light box. Work 9156.