The collection · DiffusionLab

A man in a double-breasted coat greeting the room on a modular leather sofa, the height of the boom, fashion plate in flat saturated colour, push processed colour negative. Work 8745.

Cartouche in a plain neoclassical frame of a contoured camp ground laid out in rows on a plate reissued with new railways in the first survey of the county. Work 8742.

A lean to roofed with banana leaf beside a green shuttered window in the last hours of daylight, colour graded warm and heavy, half-tone on a heavy art paper. Work 8734.

A pastel-dulled valet pressing trousers on a folding board in 1860, petzval field with a soft rim, brass barrel lens with low contrast. Work 8733.

A medallion window of small scenes in front of a slope of green turf, the long 1970s, telecine transfer frame, HP5 pushed two stops. Work 8720.

Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy. Work 8715.

Silhouette on a level horizon line of a gladiolus spike cut for a show in the summer of the deep survey, woodburytype in thick gelatin. Work 8681.

Green dominant colour composition of a hole in the canopy full of light under smoke in three layers, the turn of the 1970s, halation around a burning flare. Work 8664.

A wax drip on a written page above two columns of text, fish glue size on skin, thumb wear at the corner of a leaf, flesh side with a paler tone. Work 8663.

An algae bloom seen from space with the gate chained shut, the summer of 1914, video still from a worn tape, photostat. Work 8658.

Bauhaus photogram of a Guatemalan worry doll pouch within a ring of folding chairs, the 1980s, pencil registration marks left on. Work 8657.

A hundred lifetimes of watching, a hacked path closing behind in dense jungle, grain heavy blow up, graduated green filter. Work 8645.

A cash-rich moa browsing in a New Zealand forest, the spring of 1955, dissolving view slide, press flash negative in a holder. Work 8626.

A lichen-ringed cool-shaded frieze of figures under green haze, the month of the flower offerings, 70mm temple sequence still, warm filter on grey stone. Work 8625.

A village hall after a meeting, stacked chairs, single bulb. Work 8623.

A mounted on velvet doorway with a slab door standing open at the centre of a long bench, the years the works ran on, the numbers on the blocks skipped one, hand tinted plate in mint and pink. Work 8609.

The Carolingian period: a tonsured basilisk coiled in a foliate border, Parisian atelier work of small scale, palimpsest with the first hand showing. Work 8577.

The water rose a little every year: green-cast fluorescent interior of a sump-side runner sprinting a lit corridor, the age of the improvised circuit. Work 8570.

A rushed toy catalogue robot printed twice in the quarter the press was overdue a service, broken type where the plate scratched, green where the flesh should be. Work 8561.

Still life of table silver on baize of a woman in a pleated gown by a mirrored column through a shaft of sun on bevelled glass, colour transparency of mint and brass. Work 8554.

Naive figures worked out of proportion of a maker's name and her age in small letters worked in two shades of green, the mid Victorian decades. Work 8552.

A tuyul, the closing years of the 1980s, department store studio portrait, chromolithograph in six colours. Work 8519.

A flowering stem of a common sage inside the wiped edge of a copperplate, 1842. Work 8489.

Bold brand word over a small scene of a poppy field on a hillside with a snow peak behind it, 1931. Work 8482.

Society page in full colour of a hairpinned hoarding pasted three sheets deep, the summer nobody went home, dye transfer print with deep reds. Work 8463.

An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents. Work 8442.

A bottle of tonic in the style of a circus of shadows against a starred blue sky, the Futurist years. Work 8433.

Deadpan frontal framing of a beam of sun standing in smoke at the treeline in coloured haze, 70mm print graded green, condensation on the front element. Work 8418.

A signal box the size of a sentry hut at a booth window at knee height, the year the line was relaid. Work 8392.

The first season: a long-bonneted woman in sunglasses timing a run by hand, flashbulb photograph at a prize table, enamel sign finish in cream and mint. Work 8383.