The collection · DiffusionLab

A shepherd counting a flock below a tower at the foot of nine hundred steps in the second long winter, heroic scale study with a human for measure, cyanotype in slate blue. Work 8883.

A flat-tinted bicycle advert with a doubled wheel with a sticker pasted over the error, the second impression, commercial art reduced for a small advert. Work 8876.

High Victorian, a newsprint-tan medic bandaging a forearm after a preparation in the museum, the French atlas manner with soft tints. Work 8875.

The era of the outer moorings: a welder in a hood the shape of a helmet under a thruster bell the size of a church, brutal scale comparison shot, contact print with dense shadow. Work 8862.

Poster illustration in candy colours of beach-ready two men in pastel shirts hauling a marlin, summer 1985, dye sublimation print in high gloss. Work 8855.

The summer nobody went home: colour supplement travel feature of a man in a straw trilby at the wheel of a tender at the rail of a corniche road. Work 8853.

A stagecoach team running flat out under a water tower, slur from a fast rotary run, flat colour on absorbent newsprint, brittle paper cracking at the fold. Work 8846.

The years the charcoal pits burned, a dust-golden line of walkers small between trunks with a mission bell hanging over it, stillness treated as the whole content. Work 8841.

Camel-coated two men in overcoats beside a low slung wedge, midweek in 1987, varnished dealer poster. Work 8826.

A claw carved from a lolly stick in the style of a horned goat beast with a wool beard within reach of the animator, one hundred and forty shots of 1962. Work 8823.

A picket line breaking into a brawl inside a freight elevator in the week of the verdict, deep black built from three inks. Work 8805.

A renaissance portrait of a bulldog as a duke, oil on canvas, heavy drapery. Work 8791.

Swimwear catalogue page in flat light of a man in a cream fedora under a neon sign up against a support post, the winter of 1993, halftone of a flash print on newsprint. Work 8790.

Group portrait on a clubhouse step of a faultless man in whites holding two rackets and a drink, 1979, 6x4.5 rollfilm colour. Work 8785.

A war bond poster for a war nobody fought, lithograph, limited palette, 1943. Work 8765.

A man in a double-breasted coat greeting the room on a modular leather sofa, the height of the boom, fashion plate in flat saturated colour, push processed colour negative. Work 8745.

A far-off woven girth band in three colours crossing without a word spoken, the age of woven girths and brass, silhouette study of a wound headcloth. Work 8739.

Thermal receipt printer image of a New Zealand pavlova plate and a Yakshagana performer, the Suez crisis, varnish over a dry emulsion. Work 8738.

A pastel-dulled valet pressing trousers on a folding board in 1860, petzval field with a soft rim, brass barrel lens with low contrast. Work 8733.

Mezzotint over an etched foundation of a pair of colossal seated figures flanking a pass in the age of the high builders, one working printed short of the edge. Work 8732.

1989: a man serving conch fritters off a tin tray off a reef in ten feet of water, watch advertisement taken underwater, transparency scanned for a poster. Work 8725.

Press photograph turned into a stencil of a disc jockey's face in flat tangerine printed six times in six colourways, a run of six heads in six inks. Work 8718.

He signed it in the last quire: figures set against a patterned void of a damascened falconer on horseback for May, late 11th century. Work 8693.

A suited figure framed by a floodlight mast down a ramp cut into pale rock, hard-edged black against pale ground, hard contrast daylight print. Work 8685.

A wicker-seated double-handed man in whites shaking hands with an umpire, 1968, panning photograph of a running player, hard noon light on white flannel. Work 8676.

Long lens study through fog of a figure holding a struck bar still ringing, wide crop with a high flat horizon, colour balanced to grey daylight. Work 8672.

The years of the false readings, a figure standing at the base looking up behind a drift piled on one side, screen print in four flat greys, low speed emulsion with a long scale. Work 8668.

A tar-caulked photo booth sign gone cyan beside a bachelor uncle, a month that fell outside the year, fairground cut out portrait. Work 8656.

A prophet with a banderole of lettering picked out of a dark matt, mid 13th century, copper foiled glass with narrow lines, paint fired onto glass in a kiln. Work 8648.

The lift served one button only: a construction crane on an unfinished crown in the corporate century, silhouetted figure at a great window, digital matte with painted atmosphere. Work 8647.