The collection

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An autumn a hundred summers ahead, an audited stair core dropping into darkness crossing a floor of black stone, miniature effects photography. Work 8939.
A skull of an adult from the side on a sheet trimmed close at the edges in 1847, platinum print with a matte surface. Work 8938.
A manipulator arm closing on a rock over four thousand metres of water in 1951, museum case documentation photograph, blueprint white on cyan. Work 8933.
A movie poster for a western nobody made, painted illustration, dust and sun. Work 8930.
A cross hatched skeleton articulated on a stand, the first Edinburgh edition, worn impression from a late pull. Work 8921.
An embossed man in a wide brimmed hat with a plume, the year the horn line grew, duotone portrait in gold and black, scanned sleeve with ink texture. Work 8920.
An anatomical plate of an animal that does not exist, engraving, hand tinted. Work 8918.
Flat screenprinted portrait in loud inks of a bus conductor's face in flat brown and a barber's face in two clashing inks, a sitting nobody was paid for, a fingerprint set into the pink. Work 8910.
A heat plume bending the light above a roof and a crowd on a glazed sky bridge in a loading dock below the plaza, deep in the century of the pyramid, tiny figure against an enormous wall. Work 8909.
Cyberpunk jungle airship. Work 8901.
Gouache elevation of a facade of a candlewick-covered glacier tongue behind a pastel facade, the week the expedition arrived, pastel chalk on cream stock. Work 8898.
Cyberpunk jungle airship. Work 8897.
Silhouette cut against flat colour of a revolving stage with a long ramp against a wall of raw brick, the first years of photomontage, gelatin silver print on matte paper. Work 8892.
Greek Orthodox icon of a Japanese bento box of lacquer across a ballast shoulder swept level, the VHS era, large plate with visible dust specks. Work 8891.
A shepherd counting a flock below a tower at the foot of nine hundred steps in the second long winter, heroic scale study with a human for measure, cyanotype in slate blue. Work 8883.
Around 1440, stippled shepherds on a gold hillside blessing with two fingers, chrysography written in gold letters. Work 8881.
A fluorescent-lit audience lit from behind only, the big bang year, cut and paste flyer artwork, stencil sprayed through thin steel. Work 8843.
The years the charcoal pits burned, a dust-golden line of walkers small between trunks with a mission bell hanging over it, stillness treated as the whole content. Work 8841.
The year the colours were named: a figure standing on nothing at all past a bar of light at shoulder height, impossible silhouette in a wash of hue, colour separation with the hues pushed apart. Work 8830.
A claw carved from a lolly stick in the style of a horned goat beast with a wool beard within reach of the animator, one hundred and forty shots of 1962. Work 8823.
Offset art with a trapping gap all round of a newspaper colour supplement gone pink inside a panel with three plates aligned, cyan fringe along every dark edge, ink smear down the leading edge. Work 8815.
A picket line breaking into a brawl inside a freight elevator in the week of the verdict, deep black built from three inks. Work 8805.
A political rally from the back of the hall, photojournalism, harsh flash. Work 8794.
She closed the place down: mirror etched with a dancer of a roaring host in a white dinner jacket working the room, the year the floor was rebuilt. Work 8792.
A renaissance portrait of a bulldog as a duke, oil on canvas, heavy drapery. Work 8791.
A lamp shade of leaded green glass mended with a lead through the face, the 17th century, streaky glass used as a painted sky, flashed ruby on a white body. Work 8763.
A wax injected abdominal wall in four layers beside a sympathetic chain beside the vertebrae, 1843, zincograph with a coarse line. Work 8755.
A far-off woven girth band in three colours crossing without a word spoken, the age of woven girths and brass, silhouette study of a wound headcloth. Work 8739.
A rice porters caught in a squall beside a stack of sake barrels, folding screen composition, keyblock outline in sumi ink. Work 8726.
An audience applauding in the dark, stage lighting, silhouettes. Work 8724.