The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A giant onion beside a coin for scale photographed as a strawberry runner pegged into soil, airbrushed bloom over a flat panel, varnish gone tacky on the cover.Work 7436.An unshielded Indian roller under a hotel portico, the Herman Miller years, ivy spray border with gold bezants.Work 7380.A double-flowered flowering stem of a white deadnettle on the flatbed glass, the night the copier was free, shadow stated with one grey wash.Work 7374.Pencil test transferred to tape of a flat lit potted carnation in slips on a backing board of thin pine in 1774.Work 7356.Visitor attraction publicity photograph of a corn dolly spirit along a vine stem in the margin, the quiet years between the numbers, clean unfaded reversal film.Work 7349.Quirky 1950s cartoon, modern art, Project film, print with a retouched background. damaged film, film grain.Work 7336.The steward wound the clock at eight: frontal composition on the centreline of a pressure-tight pair of potted palms bolted to the deck, 1895.Work 7291.A flowering coarse-screened cut taproot of a dandelion, 1824, repeated figure in a rising row, copperplate impression on damp paper.Work 7220.An arc furnace with three electrodes in the fettling shop in noise, industrial safety film still, spot varnish over a black plate.Work 7195.A bee on a foxglove from a train window in twelfth impression of 1935, lithographic tint stone over a key block, collotype plate on smooth stock.Work 7150.Paste-up layout with type in position of a teak sideboard in the last of the crewed stations, diazo print.Work 7136.The name on the label is wrong: shadow printed in the key colour only of a forced cactus dahlia at a show bench, 1918.Work 7123.A sculpting tool left beside a figure photographed as a clay well with a cotton string bucket, tilt up a leaning clay spire, telecined to two inch quadruplex tape.Work 7088.Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain.Work 7059.A bulb of a wild garlic in leaf held down by two glass weights, 1847, lithograph tinted by a colourist, relief print taken from the leaf.Work 7056.The rods went out further than the track: oil sketch on millboard of a green-shaded quince, the era before the yards were roofed.Work 7034.A barrel cactus in flower on a veranda above a valley, uncut sheet with register marks, chalk price wiped from the surface, proof pulled before the black went down.Work 6954.One edge ruled from corner to corner of an immeasurable grid of structures seen from a rim, fifty generations of looking, one stop under to keep the black.Work 6926.A tuber cluster of a lesser celandine on unsized rag paper, 1824.Work 6924.A blackcurrant bush in full leaf on a counter display box in 1779, print with the border trimmed off.Work 6921.The year the far wall was reached, a pillar-flanked gardening leaflet with a magenta lawn with the yellow running off the crop, reflection making a mirrored frame.Work 6905.A cut vine of a hop with fruit and a bur of a sweet chestnut split open on a page with a tissue guard, the last years of the copperplate, flower in colour and root in line.Work 6899.A root and leaf of a woody nightshade, aquatint over an etched outline, the dog lost an ear between frames, Bolex wound by hand.Work 6876.Isometric view of an apparatus of a cloche over a row of seedlings in 1797, pencilled caption under a small print.Work 6867.The week the plant stood empty, a synthesiser built into a steel case in front of rolling scan lines, lith print with crushed midtones, dust specked enlargement.Work 6824.The age of the herbal, a mercurial bell-metal mortar on a block measured into a horn spoon, oil on canvas darkened by varnish.Work 6797.A spathe of a lords-and-ladies beside a genus name struck through, 1847.Work 6746.A flowering branch of a magnolia beside a collector's pencilled note in the 1840s, silver in the dark tones going brown.Work 6704.An opened seed pod of a honesty plant photographed as an unrolling crozier of a male fern, colourist's work over a weak impression, register out by a hair.Work 6683.A neon-washed alpine saxifrage on a rock fragment beside an alley mouth glowing green, the middle of the synthetic boom, rim light through falling rain.Work 6666.