The collection · DiffusionLab

Rendered as a plate from a site report of a capital of stone leaves half submerged, selenium toning for cold deep blacks, single sheet exposed at slack water. Work 8955.

A roof beams burned through and fallen in near a votive niche of small figures, a season when no courier came. Work 8943.

A sand barge under a taut grey sail over a buried station roof, architectural rendering in flat light, flare cutting right across the glare. Work 8941.

A bruised moll driving barefoot on a coast road against plaster layered with tags, two floods after the last survey, mass market paperback front cover art. Work 8937.

A manipulator arm closing on a rock over four thousand metres of water in 1951, museum case documentation photograph, blueprint white on cyan. Work 8933.

1883: a woman in a headwrap with a rum glass under a squall crossing the bay, pen and ink with mechanical ruling, sheet with pin holes at four corners. Work 8888.

A flat-tinted bicycle advert with a doubled wheel with a sticker pasted over the error, the second impression, commercial art reduced for a small advert. Work 8876.

The ship moved half a mile with the floe: ballistic photograph of a light hearted Chinese embroidered silk screen, the autumn of 1975. Work 8873.

Poster illustration in candy colours of beach-ready two men in pastel shirts hauling a marlin, summer 1985, dye sublimation print in high gloss. Work 8855.

A settlement seen whole from the far rim outside a settlement cut into rock, after the rock ran out. Work 8854.

A line of pillars set at equal spacing before a surface taking no light, long lens across two miles of haze, egg tempera over a chalk ground. Work 8836.

The Algerian War years: a tugboat nudging a liner within a turning ring station, flat shaded polygon render, bulb flash on a dark terrace. Work 8793.

A moss-grown steam-lifting row of carved heads along a causeway, the last of the wet months, atmospheric layering over stone, exposed for the haze and not the stone. Work 8776.

A formalin-pale sonar dome housing under the keel in the Sargasso calm, the mid 1960s, echo sounder trace facsimile. Work 8756.

1989: a man serving conch fritters off a tin tray off a reef in ten feet of water, watch advertisement taken underwater, transparency scanned for a poster. Work 8725.

A displaying black guillemot on a wet rock, 1854, photolithograph after a painting, sheet cockled where the wash was wet. Work 8713.

An antenna dish trained on a far point beneath a spine hung with modules, oil on board with a hard edge, fast shutter on a lit hull, exposure protected for the specular. Work 8711.

A ferry deck at sunrise, colour negative film, haze. Work 8707.

A century of carts on one road: a pier of a bridge standing in white water at a relay marker on a straight mile, matte painting of a road across water, oil on canvas with earth pigments. Work 8706.

Cutaway of a keel corridor of turnbuckle rows along a girder in 1870, ruling pen line with a grey wash. Work 8698.

A tarpaulin folded into a square at a mooring ring set into stone, muted pastel through green haze, lantern slide in a taped mount. Work 8669.

Shafts of sun down a gate passage across a plain standing under water, the third series of the standard body, industrial catalogue photography, available light laboratory frame. Work 8661.

An algae bloom seen from space with the gate chained shut, the summer of 1914, video still from a worn tape, photostat. Work 8658.

Reflection frame in a boat windscreen of a woman in a peach bikini holding a parrot beneath a hotel sign in script neon, a long weekend in 1984, gouache artwork on tinted paper. Work 8650.

A rock outcrop with salt at its foot, the hottest fortnight of a dry year, reportage frame held very wide, exposure taken for the reflected light. Work 8646.

Machinery portrait on a plinth of a suited pair reflected in a curved bulkhead in some year after the last window was sealed, negative exposed for the highlights. Work 8640.

A heat haze lifting off white ground underneath a sky taking two thirds of it, flare blooming off a wet film, print with the black held very deep, silver gelatin print on cold white paper. Work 8635.

The speedboat years: a hobnailed coal face measured with a yardstick, aerial oblique of a colliery, glass plate negative with flash burn. Work 8620.

A sample tin with a paper label beside a truck standing on the rails in 1856, chromolithograph of a cavern sea, no visible source and a full exposure. Work 8617.

A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water. Work 8616.