The vintage era of AI art, and its electric sheep.
The collection
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A woman in a headscarf on a hotel roof terrace at a wheel stack behind a garage, the shift with no supervisor on, works handbook illustration, four colour halftone on gloss stock.Work 9539.A man in a cream suit holding a starting flag with gravel still in the air, the Whitsun meeting, gouache motoring poster artwork, cross processed for hot colour.Work 9521.An austere lectern bolted to a concrete floor in the years of the works, tritone with a brass highlight, rust tone in the midtones.Work 9520.A bark-scarred peeled saw filer with a raker gauge, the spring freshet, wet plate portrait of a crew, gouache on illustration stock.Work 9519.Works photographer's plate of a tongs crane over soaking pits with the stack gone cold, 1912.Work 9499.A figure in a shawl of beetle green thread and a painted arrow faded to a ghost beneath a sky bleached to bone white, late in a season of still air, long lens compression across bare ground.Work 9497.A nurse in a Pacific field hospital on a rain-black street in the fourth printing, impasto highlights over a thin wash, staple rust marks on a digest.Work 9492.A peasant pruning vines in March, full page miniature with a bar frame, the pigment ate through the skin, goatskin parchment with open follicles.Work 9489.A cliff-nesting ground-nesting bittern half hidden in the reeds, the great subscription years, hand-coloured lithograph from a folio stone, plate offset onto the facing leaf.Work 9478.Ring flash beauty photograph in whites of a woman in a gown sitting on the arm of a chair beside a wheel with a crowd around it, work print cropped to the hands.Work 9469.Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9467.A train driver's head in two tones and a printer's head in ink black beside a ferry rail in flat blue, the season of the loud palette, rephotographed portrait flattened again.Work 9465.A pipe cleaner soldier in a scarlet coat behind a proscenium of painted hardboard in the week of the village pageant, vision mixer cut between two cameras.Work 9461.A crew member with a helmet tucked under an arm, arc light blowing out one corner, the suit was three sizes off and worn anyway, colour negative timed for the suit whites.Work 9459.The height of the motor show boom, a chrome-bumpered couple beside a coupe with the doors raised with driving gloves still on, corporate portrait beside a company coupe.Work 9443.A file of walkers with cymbals held flat within a temple of carved plaster, the rubber split on frame four hundred.Work 9437.Somebody thumbed the sky flat by mistake: a plasticine bird with a foil beak in a wet Tuesday in 1966, pencil test transferred to tape, film can label written in marker.Work 9433.An off-cut long-exposed flower head in sixteen colourways, an edition of two hundred, optical shop record photograph, print made on glossy bromide.Work 9407.A sweet shop poster with doubled jars across a delivery pile of folded sheets in the night shift's last job, guillotine cut through the border.Work 9397.1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9394.Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9392.A lichen spreading across a statue across a floor of raked dust, the flowers were changed twice that day.Work 9380.A gilt-lettered airline steward at a cabin door with a red route line behind it, 1928, ruled aerial view poster.Work 9375.A double-ranked hood lined with felt to deaden sound beside a sash woven with copper thread, a cold morning with no wind, close study of hands on cold metal.Work 9372.A kamale ngoni against a wall of coarse magenta dots, nobody could play it.Work 9365.General arrangement elevation of a speaker stack strapped to a tower and a stage struck back to bare tube, the year the frame was bought used, offset litho in black and silver.Work 9361.Dystopian 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9345.Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9335.The summer holidays of 1968: a lint flecked plasticine lion with a wool mane, title sequence over a clay landscape, 16mm colour negative printed to positive.Work 9330.Czech avant garde photogram of an old fashioned in a cape opened to the floor, the winter of 1975.Work 9324.