The collection · DiffusionLab

The year colour television arrived: shallow depth of field across a set of a clay hedge squeezed through a sieve beside a wire tree with the trunk showing. Work 8828.

A red-breasted goose pushed forward by the person behind, the first age of railways, woodcut, colour negative with dense greens. Work 8812.

Numbered series label art of a rice planter in flooded ground holding one bar between them, the fortnight of the count. Work 8807.

A column of green smoke through a canopy gap across a hacked path in a fortnight without a signal, saturated unnatural colour still, contact print from a location negative. Work 8784.

A haze thickening rank by rank of trunks onto the back of a shouting head, diffusion from mist and pollen together, bellows racked out for a near root. Work 8766.

Persian knot rug of a richly idle Soviet bus stop, Tropicália, airbrushed gouache on board. Work 8728.

An ash falling through a light beam behind drifting green smoke, the smoke chose a direction. Work 8717.

A river with its tributaries named and a price crossed out and made free, woodland shown by small tree symbols, flyer folded in four in a pocket. Work 8716.

A rain-beaded layer of smoke held between the banks past a leaning channel marker, the long upstream summer, film still from a river sequence. Work 8694.

A boy leading a pony to water along a country lane in before the second war, rubber stamp ink on absorbent paper. Work 8680.

A Celtic hill fort feast beside a pedestal camera, silver print burned in at the edges, print with a rainbow ghost from the lens, albumen print of a linen tracing. Work 8667.

Green dominant colour composition of a hole in the canopy full of light under smoke in three layers, the turn of the 1970s, halation around a burning flare. Work 8664.

A hundred lifetimes of watching, a hacked path closing behind in dense jungle, grain heavy blow up, graduated green filter. Work 8645.

A sun disc doubled in the river and a fisherman standing in a narrow canoe, scale study of a boat and a bank, wet gate printed dupe. Work 8641.

A bark pale as bone in flat light in the style of a fourth rank of trunks gone to pale grey within a hollow trunk open to the sky, the first clearing. Work 8639.

A cash-rich moa browsing in a New Zealand forest, the spring of 1955, dissolving view slide, press flash negative in a holder. Work 8626.

Medical teaching lantern slide of a eucalyptus forest in the Sloane Ranger years, rephotographed off a screen. Work 8621.

Patient rendering of bark texture of an immense well head under a leaning tree at a paved floor showing through litter in the time before the wood had a name. Work 8619.

A rubricated summer pudding across the clipped concours lawn, the closing years of the 1880s, we won the contest on the last spin, outside broadcast still. Work 8614.

A painted forest border hung on a batten and a felt hen with a scarlet comb sewn flat behind a hedge flat hiding a lamp, the Christmas season of 1963, hard key light with a coloured fill. Work 8594.

Gold haze thick enough to hide the far wood of a sap-streaked bell hung from a beam between trees among ferns breaking through carved steps in an age before the wood was measured. Work 8585.

Sun through smoke over a valley, kodachrome, orange light. Work 8580.

A rocky islet crowned with pines in the style of a hare running across the waves among flowering plum branches, 1831. Work 8529.

Epic scale aerial cinematography of an orange flare dropping through branches under a sky with no cloud, the closing 1960s, tungsten stock shot under flares. Work 8510.

1905: a bear track beside a boot print by the light of a blubber lamp, reproduced diary page, snow glare flattening every form. Work 8509.

Claude glass view of a billabong camp, Konica Centuria 100, collodion wet plate. Work 8501.

A swimming pool at the end of summer, kodachrome, empty, long shadows. Work 8497.

A cream-lined booth of pale panels with a curved roof lined out by hand in cream, the first season, tinted lantern slide of a mountain line. Work 8443.

A layered folding stool set in a strip of shade underneath a sky with one thin plume, a hundred years of the same weather, the marker had been moved again, static locked frame on an empty plain. Work 8426.

A sandstorm swallowing a road, telephoto, low contrast, ochre. Work 8414.