The collection · DiffusionLab

War memorial survey photograph of Italian flag throwers in medieval dress and an adventure playground, the Merovingian years, wormhole through the lower corner. Work 9140.

Low horizon with a vertical headpiece of an arm reaching over a wall of shoulders over a crowd singing every word, the last week of the thaw, large format landscape on sheet film. Work 9138.

A man in a white suit skiing with a briefcase and a man in a silver ski suit toasting the valley, wire service colour photograph, Type C print on glossy paper. Work 9113.

Film still from a dawn sequence of a scarf-streaming length of magenta cloth in the slipstream over a river holding two suns in the turn of the tide at dawn. Work 9112.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9105.

Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9102.

1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9100.

Interiors feature in full colour of a woman in a beaded gown adjusting one strap in the season at the hotel, cover proof with the title over gilt. Work 9086.

A sealed desert suit at a doorway under a striped awning at a kerb, wood engraving on a fine block, screen print in six flat inks, platinum print on rag paper. Work 9075.

The century of the built worlds: hard terminator across a hull of a helmet alone under a work lamp against the flank of a vast ring. Work 9072.

The first survey season: deep focus wide with a small figure of a delegate with a moulded chest panel across a floodlit apron of rock. Work 9069.

The first year of the car phone, a man in a tailored coat holding two sets of keys beside a barrier at a members gate, silkscreen on mirror board, six by seven chrome on a light box. Work 9064.

A pair of figures holding one bar photographed as goggles with scratched lenses, high vantage frame of a formation, punched tape strip laid flat. Work 9062.

A crooked-pasted eclipse over a crowd with paper glasses in the 1920s, Efke R17, poster paper cracked along a fold. Work 9061.

Dystopian 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9048.

A traveller drifting with the head thrown back made of figure with light passing through the helmet in the shadow of the pylon, the long luminous interval, large plate scanned at full chroma. Work 9039.

A suited traveller with nothing behind but colour photographed as a traveller in a ribbed suit against turquoise, rendered with the highlights left open, internegative with a cyan bias. Work 9029.

A green water bursting on a bow and a relay set aimed at an upper edge atop a drift ramped against a face, the second survey era, geometry set against organic rock. Work 9028.

A half-derelict vent stack standing clear of a crest, the age of the sealed suit, modeller's prototype reference photograph, slow emulsion with deep blacks. Work 9009.

A groom's head in two clashing greys, portrait with the hair printed as a mass, the key was on the wrong hook, rephotographed print losing its detail. Work 9002.

A cook stirring a cauldron and a physician holding up a flask in the bas de page, the Carolingian period, double column layout with a miniature. Work 9001.

A woman in a straw hat scoring laps by hand inside a hotel lobby full of drivers in qualifying afternoon 1981, Ektachrome pushed one stop. Work 9000.

Frontal portrait of a helmeted figure of an attendant screwing a helmet down in the century the shimmer was mapped, carbro print with soft edges. Work 8986.

A dwarfed steward carrying a sealed white tumbler, the season of the standing watch, spotless colour internegative. Work 8973.

Navajo weaving of a man in a linen suit raising a trophy overhead, colour balanced to the grey ground, bulk loaded film in a reused cassette. Work 8971.

A vetehinen and a hunt meet outside a country inn in the last bay before the dark, the Benin kingdom years, kalamkari panel. Work 8932.

An embossed man in a wide brimmed hat with a plume, the year the horn line grew, duotone portrait in gold and black, scanned sleeve with ink texture. Work 8920.

Flat screenprinted portrait in loud inks of a bus conductor's face in flat brown and a barber's face in two clashing inks, a sitting nobody was paid for, a fingerprint set into the pink. Work 8910.

The age of the typewriter, grammar school trilobites crawling across a Cambrian seabed in a tracksuit zipped to the chin, enamelled plaque. Work 8890.

A hangar-bound bow cap of riveted panels in the first season of the mast, cyanotype of an engineering plate, gum bichromate in two pulls. Work 8887.