The collection · DiffusionLab

A peasant pruning vines in March, full page miniature with a bar frame, the pigment ate through the skin, goatskin parchment with open follicles. Work 9489.

1970 cartoon, animation, film still, distressed. Work 9488.

An auctioneer's face in chrome orange made of meteorite slab in a lobby case inside a photo booth curtain, a run of six heads in six inks, beam of light made visible by haze. Work 9477.

Ring flash beauty photograph in whites of a woman in a gown sitting on the arm of a chair beside a wheel with a crowd around it, work print cropped to the hands. Work 9469.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9467.

A train driver's head in two tones and a printer's head in ink black beside a ferry rail in flat blue, the season of the loud palette, rephotographed portrait flattened again. Work 9465.

A magenta-hazed length of magenta cloth on a statue between two vast carved faces, the month of the flower offerings, the eighth doorway was not measured, hallucinatory temple treatment. Work 9464.

A pellet plant balling drum and a blast furnace with a bustle pipe, stereograph of a rolling mill, ferrotyped print with a hard gloss. Work 9462.

A pipe cleaner soldier in a scarlet coat behind a proscenium of painted hardboard in the week of the village pageant, vision mixer cut between two cameras. Work 9461.

The height of the motor show boom, a chrome-bumpered couple beside a coupe with the doors raised with driving gloves still on, corporate portrait beside a company coupe. Work 9443.

A file of walkers with cymbals held flat within a temple of carved plaster, the rubber split on frame four hundred. Work 9437.

An off-cut long-exposed flower head in sixteen colourways, an edition of two hundred, optical shop record photograph, print made on glossy bromide. Work 9407.

A movie poster for a monster nobody sees, negative space, small figure. Work 9405.

A brilliantined keffiyeh in the last summer of the 1910s, a laser print of a photograph, green laid over a yellow underprint. Work 9398.

A sweet shop poster with doubled jars across a delivery pile of folded sheets in the night shift's last job, guillotine cut through the border. Work 9397.

1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9394.

Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9392.

A lichen spreading across a statue across a floor of raked dust, the flowers were changed twice that day. Work 9380.

A gilt-lettered airline steward at a cabin door with a red route line behind it, 1928, ruled aerial view poster. Work 9375.

A double-ranked hood lined with felt to deaden sound beside a sash woven with copper thread, a cold morning with no wind, close study of hands on cold metal. Work 9372.

Complementary clash of magenta and cyan of a centred exactly traveller in a suit of overlapping iridescent scales within a field of undiluted magenta in the era before the gate was mapped. Work 9369.

Solar eclipse plate of a self satisfied operator with a headset facing the lens against a screen lit evenly across in the turn of the 1940s. Work 9368.

A kamale ngoni against a wall of coarse magenta dots, nobody could play it. Work 9365.

The prize was given out twice: a quill and inkwell in the Art Nouveau years, bird's eye view lithograph, graduated magenta over the top of frame. Work 9357.

Stop motion shot two frames at a time of a primary coloured clay apple with a tiny stalk pressed in, the half term week of 1967, colour gel fringe at a shadow edge. Work 9348.

Streets left white between ruled blocks of a market square with its cross, lantern slide of a chart detail, india proof mounted on thick paper. Work 9337.

A belt of knotted wool cord beside a pipe venting into the wind in a decade of quiet ground, vignette from a deep lens hood. Work 9318.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9307.

Flat colour illustration with a neon grid of a figure whose garment has no matte side in a period measured in exposures, second print made to match the first. Work 9306.

Long after the finders were forgotten, a seamless face reflecting a pale sky through haze breaking a lower edge, silver print with a blocked shadow, neutral density for a slow shutter. Work 9304.