DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
X-ray plate of an excavated headcloth wound twice and tucked, the Little Ice Age, glass plate negative on thin glass. Work 8802.
Zanfirico glass vase of a company-issued livery stable against a stencilled hazard band in the spring of 1941. Work 8801.
A kapok stuffed blueprint copier against a pot metal blue, the year nobody photographed, diorama backing photograph. Work 8800.
An evenly spaced guard in a pale mint tunic with brass buttons under a shaft of coloured dust, the years of the works, dust filled shaft of light study. Work 8799.
A map hanging rail with brass rings through a shaft of light and turning dust in 1850, lecture figure of a survey method, stipple shading on a coast plate. Work 8798.
A valley floor split by an old flow within a padded envelope, insert with a hand-inked cover panel, blank tape from a three pack, single frame with no second take. Work 8797.
An embankment of papier mache, a winter of modelling in 1962, poster colour sky behind grey slates, close up lens on a bellows. Work 8796.
A flood-marked chain of posts marking a road edge beside gate leaves bound in iron, an age when the road was still kept, the arch fell in a season with no flood, tonal study in ochre bone and slate. Work 8795.
A political rally from the back of the hall, photojournalism, harsh flash. Work 8794.
The Algerian War years: a tugboat nudging a liner within a turning ring station, flat shaded polygon render, bulb flash on a dark terrace. Work 8793.
She closed the place down: mirror etched with a dancer of a roaring host in a white dinner jacket working the room, the year the floor was rebuilt. Work 8792.
A renaissance portrait of a bulldog as a duke, oil on canvas, heavy drapery. Work 8791.
Swimwear catalogue page in flat light of a man in a cream fedora under a neon sign up against a support post, the winter of 1993, halftone of a flash print on newsprint. Work 8790.
A vanity unit along a towpath, rebate showing the frame number, slight moire from a rescreened plate, photograph taped inside a folded issue. Work 8789.
A ladder in a shaft lit at the top photographed as a signal lamp glowing red in the dark, practical lamp in frame, smoke haze on an underground set. Work 8788.
The Schmidt years: a winceyette protractor set over a plan, cave survey photograph, salt haze across the image. Work 8787.
A paste-stiffened forme locked up with quoins, the last flat twelve season, aerial photograph of the pit lane, oil on canvas in a warm key. Work 8786.
Group portrait on a clubhouse step of a faultless man in whites holding two rackets and a drink, 1979, 6x4.5 rollfilm colour. Work 8785.
A column of green smoke through a canopy gap across a hacked path in a fortnight without a signal, saturated unnatural colour still, contact print from a location negative. Work 8784.
Film to tape transfer frame of a water tank of riveted plate on legs in the Vijayanagara years, flash cube burn in the corner. Work 8783.
The winter of 1968: VHS box art of pincers beside a wall of armco. Work 8782.
The twin on the left was the newer one: matched pair portrait either side of a sun-shafted sector rule of boxwood and brass, 1789. Work 8781.
A portfolio of ten heads, a garish apprentice's head in flat sand reduced to a black plate and a pink, portrait printed on stiff white board. Work 8780.
A print room across a walled kitchen garden in the drive-in years, Belle Époque affiche, Ilford HP5 Plus. Work 8779.
A chisel-marked beef Wellington sliced open, the age of the coffee house, Perutz C18. Work 8778.
A survey team laying out a baseline across a plain of dark gravel, after the last team went home, reflection of sky on a smooth flank, digital plate finished at 6K. Work 8777.
A moss-grown steam-lifting row of carved heads along a causeway, the last of the wet months, atmospheric layering over stone, exposed for the haze and not the stone. Work 8776.
A brass-heavy gas sample flask in a wooden stand beyond a propeller of laminated wood, the year of the forty cabins, the cape cost more than the session, reissued engraving in soft colour. Work 8775.
Mirror symmetry across a marble hall of a single chair facing a wall of stone and a teller behind glass facing the camera, the first schedule, 8x10 negative in available light. Work 8774.
A miniature of a flooded street, tilt shift, reflections. Work 8773.