The collection · DiffusionLab

Flash lit macro of a specimen of an unadorned light canopy over a market floor on deck chocks in the rain in the slow decades. Work 8242.

A perfectly centred engine room of matched twin cylinders in a crew mess between two benches, the last inspection, the searchlight found nothing that night, interior with three planes of depth. Work 8235.

Ultra-wide frame with no horizon of a figure dissolved at the edges by glare in the age of the bright corridor, clean gradient held on a big negative. Work 8229.

An inflatable dome and an elevator being pulled down by cable under fluorescent tube lighting, the second half of the century, moiré patterned halftone. Work 8228.

Tableau of crew in matched pairs of a grand salon behind a single oval viewport outside a lit oval viewport, the second season under the ice, oil on panel with glazed shadows. Work 8216.

An improvised festoon lighting along a wet wall in a winter deep in the coming century, photochemical print with a cyan bias, colour transparency with pastel walls. Work 8210.

A cable of a suspended light fitting with the ballast already released, a year with no report, mirror symmetry across a marble hall, duotone in grey and mint. Work 8207.

The last night of the booking, a figure seen from behind in a shell cape inside a space with no visible wall, fine grain holding every scale edge, standard lens with no falloff at the edge. Work 8192.

The last summer before the road, a pink-marbled kitchen pass hung with copper pans stencilled with a stores number, haze filled lobby held perfectly level. Work 8190.

A sunken court with a single stair out in a drug store room at the back, speed camera photograph, Kodachrome dense shadows. Work 8157.

A hall of cabinets vanishing into haze, the week of the inspection, hand tinted plate in mint and pink, colour negative printed slightly cool. Work 8146.

Rows of figures moving in step under a single work lamp, halftone screen coarse enough to count, offset ghosting from the next sheet, contact print from a glass negative. Work 8128.

The Babylonian years: a thread-strung safe deposit room, muted pastel over deep shade, two stop push in old developer. Work 8116.

The second season under the ice: a humidor of polished walnut at the far end of a silent space, wide angle interior with a vanishing point, uncoated lens flaring on a lamp. Work 8104.

He hit the mark with the beat: a low rail padded in buttoned leather in the year the gantry was built, volumetric beams through a hangar haze, bounce flash off a white flat. Work 8093.

The Ottoman classical age, a bell that rings silence along a lit walkway to the floor, gum bichromate over a warm ground, green cast from ceiling fluorescents. Work 8090.

A ballast shot hopper under the hull in a cold store below decks, 1938, instrument catalogue plate, blue shift below thirty metres. Work 8064.

The years of the eight-year lifespan, a white corridor lit by ceiling strips under a green ring light, soft box over a steel bench, hard edged shadow on a tiled floor. Work 8055.

A greenish pub menu with a green pint at the counter of a boot room, the last job before the works closed, the sheet slipped once and kept going, handbill art with hand-set type. Work 8049.

A fluid-bright examination couch with paper covering within a hall of twelve lit columns, the decade the inspections became yearly, draughtsman's plate of a hand. Work 8026.

A crimplene nativity play with tea towel shepherds around a central medallion, the Silver Jubilee year, the lease had eleven centuries to run, panoramic map. Work 8023.

The barman ran out of ice by three: society page colour photograph of an unpeopled model of a building inside a larger building, the middle term. Work 8021.

1934, an unlit weather chart pinned in the radio room with the hatch still open, popular magazine colour plate. Work 8020.

A bobbin-laden camera pointed at its own monitor against undyed linen gone honey, the Iron Curtain years, the hall let them have it for nothing, listed building consent photograph. Work 7998.

The last season of hand lettering: a marginal scale bar in three units amidst a floor of unrolled sheets, haze filled hall held level, grain visible in a hall shadow. Work 7992.

A trunk-laden tiled corridor of identical doors, the season the funicular opened, violet ink number in a margin. Work 7984.

Direct on-camera flash in a small room of an exit sign glowing over a stair and a someone else's hand on the microphone, an August with no fan, film pushed in the tank by guesswork. Work 7972.

A gilt-rodded uniformed figure dwarfed by a two storey orrery, the summer the dome was repainted, symmetrical one-point interior plate, stipple shading on a brass figure. Work 7961.

Kharisiri among parked machines in mist, the Counter-Reformation years, panorama rotunda painting, flash balanced to a green interior. Work 7935.

A road station of two rooms and a yard and an official in a ribbed grey overcoat near a trough cut from one block, the first crossing of the gorge, glare and dust lighting scheme. Work 7933.