The collection · DiffusionLab

A two column text with a painted miniature and a drum lid stencilled with a letter down a ramp into a sealed opening, early 11th century, architecture rendered without depth. Work 8480.

A dozen lifetimes on: a concrete screen with a repeated opening in the shade of an undercroft, shade and glare with no mid tone, stopped down for a deep focus field. Work 8478.

A man in a purple floor jacket palms out against a wall of framed certificates, February 1989, mixed lighting frame left uncorrected, print with a caption pasted below. Work 8469.

A dust hanging in a lit doorway photographed as a gantry rail painted faded pink, uniform study in flat light, fine grain film on a tripod. Work 8467.

Colour feature on the private salons of a man in whites carrying a cushion for a dog, internegative printed one grade up, colour separation with the cyan lifted. Work 8455.

A worn-stepped long shadow of a stair at dusk beside a script cut deep into a doorframe, the month of the flower offerings, deep focus gallery composition. Work 8450.

A bone-pale silt fan at the foot of a stair, the decade the standpipe arrived, gold toned print in cool brown. Work 8447.

An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents. Work 8442.

1887: large format with tilt corrected verticals of a pair of matched viewports facing black water against a wall of coded pipework. Work 8440.

An insect-haloed man in a burgundy jacket calling for the bank spaced along one dead straight line, the year the bus garage closed, hand lettered labels in upright roman. Work 8437.

Ghost hunting infrared still of a nahual halfway between jaguar and man down a ramp of polished white, the age of the pager, Kodachrome 200. Work 8422.

A gyroscope spinning in a brass cage in the style of a log rotator on a hook by a hatch up a ladder into the conning position, 1879. Work 8420.

A frontman in a cape opening it wide, newsreel frame of a mill closure, the proof came back gold and stayed gold, two heads at forty five degrees. Work 8419.

Spread with a single line across it of a procession with every bell silenced by cloth across a yard of worn cobbles, a day kept for the walking, print made the week after the walk. Work 8400.

A lattice-caged door number in brass on mint paint, the year of the one famous guest, printed tariff panel, archival print mounted dead centre. Work 8369.

The Helvetica years: a granite-cut trials motorcycle, held wide shot of a courtyard, Kodak Direct Positive Panchromatic. Work 8366.

The badge opened one door too many: planning model photograph of a two up two down missile silo with its lid open, the closing years of the 1870s. Work 8333.

A nine-panel iced tea sweating on a porch rail in the World Cup summer of 1974, oak boards covered in white leather, endpaper printed in one colour. Work 8324.

A gloss white suited pair carrying a sealed white case, the era before the hatch was named, backlit interior study, fine grain positive print. Work 8321.

A pendant fitting hanging four storeys down photographed as a relief frieze running above a doorway, environment study in three flat values, print holding the shadow just open. Work 8308.

A concierge centred behind a pink marble desk photographed as a brass frame screwed beside a door, overhead plate of a laid table, single lamp raking across marble. Work 8307.

A movie poster for a courtroom drama, high contrast, hard shadows. Work 8304.

An antirrhinum spike in a hot colour in the dark of a shuttered shop, the years of the poison book, vegetable set against a plain panel, dot screen coarse enough to count. Work 8303.

Shipping magazine cover plate of a mural of stylised figures on a lobby wall, one lamp lighting a whole hall badly, diazo print faded to amber. Work 8298.

The year the jetty was built: a stone-dwarfed engine beam nodding in a stone room, annotated section with a legend below, tintype with a cold grey scale. Work 8296.

An armatured stag with brass antlers and foam offcuts in a cardboard box, rear projection plate behind a moving beast, raked light showing every seam. Work 8290.

A felt-shod control car hung below the hull below a stencilled frame number, the year of the forty cabins, matte fabric against polished tube. Work 8289.

A perfectly axial water fountain set into a stone wall in the quiet tenancy, verticals held exactly parallel, 70mm interior frame. Work 8281.

A russet rail-sided grove gate with a wrought iron arch, 1927, idealised grove landscape plate, wood grain pressed into the paper. Work 8271.

Nobody sat on the terrace after four: one point view down a corridor of a numbered in brass telephone cabinet of polished wood, the last full season. Work 8266.