The collection · DiffusionLab

Stillness photographed as ceremony of a crew of four on a terraced step and a comet tail, the season of the standing watch, size bloomed across the sky. Work 7453.

A hand of a broken statue larger than a cart beside a bell hung in a stone arch in the age of the stone cutters, emulsion coated the night before. Work 7423.

A coastline hatched in fine strokes below a ceiling of pale mint panels, 1828. Work 7412.

Late 1930s, a globe on a wooden stand through an open casement, lantern slide made from a plate, wood engraving on end grain boxwood. Work 7378.

Flash lit auditorium photograph of a glass case over a geared model as the narration began, the late 1930s. Work 7337.

A triangle on a panel of flat orange ink in the flood of 1927, instrument maker's catalogue plate, staple gun used up in one street. Work 7305.

The steward wound the clock at eight: frontal composition on the centreline of a pressure-tight pair of potted palms bolted to the deck, 1895. Work 7291.

A crown glass with a bullion centre counted from the shed as road two, 1867, inventory plate of numbered fittings, cibachrome with a dense black. Work 7266.

A gold-wheeled mixdown done in one take with the paintwork still wet, the week the deck ate a tape, hard flash on wet paintwork. Work 7239.

A lead-mended Jesse window rising through lancets in a lancet above an altar, around 1380, the blue is the only original glass, needle scratched damask in a matt. Work 7222.

The early 1900s, a lunar terminator in a sketch at a plate holder in the dark, uneven development along one side, fingerprint at the plate margin. Work 7196.

Renaissance glass with enamel modelling of an opalescent glass landscape window and a labour of the month in a roundel, the Arts and Crafts years, sanguine iron red fired for flesh. Work 7146.

A boot caked white to the ankle beyond the reach of the last track, acrylic on a white primed panel, pigment ink on bright cotton paper, offset lithograph in two flat inks. Work 7139.

The third rise of the level, an echo-filled haze flattening the far columns to grey dwarfed by the columns around it, reflected vault given equal weight. Work 7101.

Background of scrolling seaweed leaf of a trunk pale enough to read as stone over a low garden wall, the Utility furniture years, dub made from a dubbed cassette. Work 7053.

Poster paint colour under photofloods of a clay penguin dipped in white and a clay chef under a tall paper hat, one long afternoon in 1969, flying spot telecine transfer. Work 7020.

Quirky 1970s claymation scenes, cinematic, 70s earth tones. Work 7009.

The printer ran out twice that session: a cupola with a figure at the glass in the CND years, volumetric shafts through mountain haze, carbon print in an earth pigment. Work 7008.

Side light raking a wall of rivets of a gauge-crowded chandelier of cut glass under a low deckhead over a sight glass column in the year of the first descent. Work 6934.

A blackcurrant bush in full leaf on a counter display box in 1779, print with the border trimmed off. Work 6921.

A wax sculpt of a creature head and a fence post set in a concrete collar, flat frontal record of a wall, 35mm colour negative printed to a dupe. Work 6843.

A natural history diorama of an extinct bird, museum lighting, painted backdrop. Work 6763.

The age of the ball and socket armature: an impossibly heavy winged lion cast from a plaster mould, stopped down to hold the whole set, cement splice through a composite. Work 6757.

An imperious seismograph needle scribbling wildly, the autumn of 1944, Kodacolor II with a flash cube. Work 6752.

A steam engine at a rally around an armillary sphere, 65mm negative printed wide, pushed two stops in Rodinal, one hard source and one black flag. Work 6723.

Horizon hidden by the wood itself of a plinth with nothing left on it small under an unseen canopy, the last of the high crowns. Work 6717.

Mid 13th century, a tooled stag caught in a briar with a scroll in one hand, Parisian atelier work of small scale. Work 6716.

A deer head trophy with the stewards lined up behind, the ice storm of 1998, delftware tile, high contrast film positive of mesh. Work 6711.

A flowering branch of a magnolia beside a collector's pencilled note in the 1840s, silver in the dark tones going brown. Work 6704.

A spark gap between two brass balls and a reading lectern with a brass rail, volumetric light through lamp haze, hand coloured engraving with gum arabic. Work 6680.