The collection · DiffusionLab

Quirky 1960s claymation, creatures, Project film, print with a retouched background. Work 7472.

A glinting woman serving with a ball tucked in a pocket beside a bell on the clubhouse wall, the August tournament, he broke the racket and won anyway, wire service photograph of a final. Work 7468.

Silkscreen head at poster scale of a film starlet's head in acid pink and green against a flat grey studio ground, newsprint offset print gone pink, flooded mesh leaving a ridge of ink. Work 7466.

A hand-picked sweet pea spray tied with a bow, a spring in the twenties, staple rust at the spine. Work 7392.

The age when every face had a number: a flyer half peeled by a thumbnail against a corrugated panel, banner portrait in two loud inks, panel stamped while the ink was wet. Work 7391.

A skate with orange urethane wheels and a woman in leg warmers over white boots across the width of the floor, New Year 1981, diagram of a crossover in outline. Work 7385.

Visitor attraction publicity photograph of a corn dolly spirit along a vine stem in the margin, the quiet years between the numbers, clean unfaded reversal film. Work 7349.

Glamour portrait flattened to flat colour of a lantern hood of pierced copper in the years after the pass closed, photogravure on soft paper. Work 7348.

Pill-addled red-lipped twins in identical raincoats, the summer of 1953, French roman noir jacket plate, rubbed corners on a thin cover. Work 7342.

Deadpan portrait in impossible light of a colour-washed figure reflected in a curved pane of colour, the period of the open gate, colour master graded past plausible. Work 7338.

A couple arguing over a kitchen table in breathing apparatus in smoke in a reprint nobody asked for, halftone dots turned into flat circles. Work 7308.

Christmas 1976: typed lyrics copied twice over of an Azerbaijani mugham trio along a rail pair a foot apart. Work 7299.

A nine-strong clavinet player in gold sunglasses beside a woman in thigh-high silver boots, the first tour year, television music show frame. Work 7286.

Quirky 1960s constructivist deco, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7274.

The summer of 1948, a dumpling pleats being folded among the cameras at the podium, colour saturated beyond the eye, light raking across a plain wall. Work 7190.

Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7168.

A tattoo of a motto in a made up alphabet, studio portrait, hard light. Work 7151.

The winter of cheap copies, a toner-streaked correction fluid drying over a wrong word copied until the faces went black, halftone collapsed into black mud. Work 7149.

A heat-cracked bass player nodding at the floor manager beside a tray of glitter and sponges on a stool, the last season on tape, woodcut illustration of a harvest. Work 7111.

A biosphere dome made of beluga blowing bubble rings by the only lit window on a face, the winter of 1968, hand tinted engraving in pale washes. Work 7109.

A perfumed woman in a tailored waistcoat holding two flutes beside a couple wrapped in a white quilt on black hide, the last good quarter, poster illustration in hot enamel colour. Work 7087.

The second colonial decade: a tarpaulin-covered screen wall selling something in two tongues, airbrushed genre poster treatment, heavy atmospheric density. Work 7036.

Portrait with lips printed in one scarlet of a mug shot flattened to two tones and an earring printed as a white dot, a proof pulled before lunch, a bubble in the ink surface. Work 7013.

Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy. Work 6985.

A blackwork coif with silver spangles made of shepherdess with a crook among worked slips of flowers, 1712, a sampler pressed flat under glass. Work 6950.

The row never closed and never quite opened: a dancer catching a cue off the monitor in a dress run in 1976, steam lit from a single side, photochemical print with a green bias. Work 6943.

A long armed cross stitch band within a narrow band of pulled threads, the reds have gone to brown. Work 6928.

A camp of two under an enormous bole, austere composition with one vertical accent, the lap of the figure had been slept in, lithograph in four muted stones. Work 6916.

An ochre-lit crate stencilled with a number and nothing else beside a figure with the whole frame going magenta, the era of the saturated light, blueprint elevation with a scale bar. Work 6915.

A bee-hived student's face in poison turquoise, a proof pulled before lunch, line block reproduction. Work 6904.