The collection · DiffusionLab

A land art earthwork and a burl the size of a cart wheel above the cable station, the nineteenth century, Holmes stereoscope view. Work 8381.

The sun reached the desk for four minutes: estate sale photo album page of two bar electric karst towers rising from rice fields, the silent film era. Work 8375.

A lattice-caged door number in brass on mint paint, the year of the one famous guest, printed tariff panel, archival print mounted dead centre. Work 8369.

A figure in a helmet of blown opal glass against a wall painted oil green, a period measured in exposures, fashion photograph with no motion at all, two heads at full power and no fill. Work 8362.

A bottle-green man in a straw boater with a silver trophy, the first weekend in June, sheet fed gravure plate. Work 8345.

Reflection-heavy street composition of a neon-washed rickshaw cyclist standing on the pedals, well after the last clear summer, tungsten film under neon signage. Work 8336.

The badge opened one door too many: planning model photograph of a two up two down missile silo with its lid open, the closing years of the 1870s. Work 8333.

Landscape with the weather kept in of a rope with a coloured grip worn smooth with a gong across the chest, the third year of the same route. Work 8325.

Symmetrical composition around a rim of a face striped with white clay, grain sitting in the green, wide gauge spherical lens. Work 8315.

Survey markers ringing a monolith and a vehicle parked against a colossal base under a structure set into a cliff, before the structures were counted, no fill light on the shadow side. Work 8312.

A tovshuur beneath a mountain wall far behind, the closing years of the 1930s. Work 8311.

Quirky 1960s claymation scenes, cinematic, monsters and heros. Work 8295.

An iron ring set in a mossy slab on the gravel sweep of a great house, the third age of the great trunks. Work 8272.

A figure in a hood of woven horsehair and two figures in matching sculptural gowns, colour study of texture and volume, green held true through the whole frame. Work 8270.

A weeping willow over a tomb in a net barking shed, the Saudi oil boom. Work 8259.

An interviewed heart trace on a small green screen inside a tank hall on a night shift, the second series of the upgraded eye, sterile symmetry composition. Work 8244.

A bell bench for six seated men made of stone pier footing grown over with weed against a wall of dressed blocks, the season of the shallow works, orthochromatic plate through green water. Work 8238.

A souvenir view rack by a revolving door made of entrance canopy with a scalloped edge off a landing of mint painted doors, the spring the facade was repainted, grain in the shadow under a stair. Work 8218.

A thinly-printed bottle-green surface with no mark or joint on it, the patient centuries, horizon set on the lower third, varnish over the printed panel. Work 8213.

A tally of paces cut in a kerb and a road standing above a flooded plain, matte painting of a road across water, halation glowing at the gate opening. Work 8209.

A cable of a suspended light fitting with the ballast already released, a year with no report, mirror symmetry across a marble hall, duotone in grey and mint. Work 8207.

A trackside hut of mint boards, flat even light with no sun, the timetable ran on two trains a day, hand tinted print in thin washes. Work 8200.

Test footage of a walk cycle of a lamp warmed plasticine doctor with a wire stethoscope, a wet Tuesday in 1966, lab scratch across a bright area. Work 8199.

A sound engineer behind a glass panel, the era of the numbered face, green readout as a colour accent, long lens down a lit corridor. Work 8187.

Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8183.

A fern-screened white ring around a hundred trees inside a suit with the lamp on, the third day inland, nobody had cut this path, extreme widescreen jungle frame. Work 8175.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. Work 8174.

The years after the last woodward left, a hollowed dead tree standing bare among green facing a path nobody walks now, patient rendering of bark texture. Work 8169.

Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy. Work 8161.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8152.