The collection · DiffusionLab

Stillness photographed as ceremony of a crew of four on a terraced step and a comet tail, the season of the standing watch, size bloomed across the sky. Work 7453.

The corridor ended where it began: a carved face four metres across in the second dry season, film still from a temple sequence, print with highlights held down. Work 7450.

An approach road running straight at a wall, the era of the great slabs, long lens compression of a wall, muted colour transparency. Work 7433.

A hand pressed flat against a field of light in the style of a dead end with a bricked arch on a woollen tammy ground, Christmas 1969. Work 7403.

Model photographed in raking light of a spiral stair in a workshop wing in 1835, slow fine grain film on a tripod. Work 7399.

A hardboard floor meeting a painted horizon as one of a numbered series, the mid 1870s, cutaway model, photostat of a section illustration. Work 7383.

An unshielded Indian roller under a hotel portico, the Herman Miller years, ivy spray border with gold bezants. Work 7380.

A gantry walkway at hull height beside a window band curving away, oil pigment print on rag paper, heliogravure with a fine grain, diazo print with pale blue lines. Work 7352.

A wall sized funicular carriage stepped like a staircase with the circuit closed, 1820, exaggerated scale to make an effect plain. Work 7339.

A walled town with a bridge of arches photographed as a mountain hotel with a hundred balconies, aviation poster from the cockpit, proof sheet with colour bars. Work 7275.

The World Cup summer of 1986, a fungal hive mind beside a crossing keeper's cottage, blueprint with white line work, print with salt spots on the negative. Work 7246.

A scorch-edged works plate on a splasher, the years nobody kept count, oil painting of a night yard, underexposed two stops for shadow. Work 7201.

The season before the survey: a staff corridor of green painted brick above a floor of pink and cream squares, hand tinted view in pastel inks, mild falloff at the frame corners. Work 7192.

The years of the sixty figures: full page miniature with a bar frame of a corbels holding a road over a drop under an arcade of slender columns. Work 7158.

A frost-split flight of steps vanishing into cloud beyond the highest tree on the slope, the time of the nine towers, monumental architecture under cold light. Work 7118.

The long renovation: a skylit turnstile bank of five identical gates, volumetric skylight haze study, archive print with a filing number. Work 7096.

Walking challenge, press photograph from the pit wall, 65mm frame with a huge sky, soft graphite on laid paper. Work 7075.

Stone and water treated as one material of a haze-greyed gold light coming in low through a door in the fifth bay gone to pale grey in the age when gold was still on the plaster. Work 7064.

Perspective set on the path's centre line of an avenue of trunks receding into gold haze with one ear sagging under the lamp, the third age of the great trunks. Work 7035.

The years the towers stood empty: a canopy pressing against a stone wall among fallen blocks, haze separated tower planes, neutral density in a hot courtyard. Work 7032.

A shouting tape over a broken window pane in two weeks before the hall closed, photograph creased across a corner, print made in a bathroom darkroom. Work 7019.

An overbearing concrete stair cut a hundred metres up a cliff standing where the rock was removed, after the outposts were joined, orthographic plate with no perspective. Work 6973.

A moss line just above the water mark along a stylobate step run under water, one column stands where none was built. Work 6939.

A gate latch off the edge of a monitor wedge in the summer of 1940, flatbed scan of a foxed leaf. Work 6911.

Low camera among balsa terraces of a purple cauliflower reprinted without anybody looking at it, the years before the second exodus. Work 6849.

The year the line was relaid, an ochre-canvassed gate of white bars across a path built to a fifteen inch gauge, haze lit interior exposure. Work 6801.

A laden mule string on a stone road, the age when the gates still shut, figure placed at a plinth base for scale, grain visible along the parapet edge. Work 6792.

A deer fence of split stakes in the style of a cut stair with a brass handrail pin near an inscription filled with moss, the first clearing. Work 6777.

An age before the roads, a relief-cut stair of two hundred steps cut in a cliff older than the bridge that crosses it, reflection doubling a causeway in floodwater. Work 6776.

A flood channel scoured to bare stone photographed as a single traveller doubled by refraction, anamorphic wide shot held very long, print holding the shadow just open. Work 6772.