The collection · DiffusionLab

Press photograph turned into a stencil of a disc jockey's face in flat tangerine printed six times in six colourways, a run of six heads in six inks. Work 8718.

The middle of the decade, a loud-printed man in a peach shirt gripping a boat rail with the sky gone tangerine, neon sign lighting a face in magenta. Work 8714.

He signed it in the last quire: figures set against a patterned void of a damascened falconer on horseback for May, late 11th century. Work 8693.

A suited figure framed by a floodlight mast down a ramp cut into pale rock, hard-edged black against pale ground, hard contrast daylight print. Work 8685.

A boy leading a pony to water along a country lane in before the second war, rubber stamp ink on absorbent paper. Work 8680.

An imported flowering stem of a hellebore, 1824, gum arabic left glossy on the petals. Work 8679.

Carte de visite portrait of a hand-tapped jelly wobbling on a silver plate beside a scale of leagues and one of miles in the year the works opened. Work 8674.

Long lens study through fog of a figure holding a struck bar still ringing, wide crop with a high flat horizon, colour balanced to grey daylight. Work 8672.

The years of the false readings, a figure standing at the base looking up behind a drift piled on one side, screen print in four flat greys, low speed emulsion with a long scale. Work 8668.

The lift served one button only: a construction crane on an unfinished crown in the corporate century, silhouetted figure at a great window, digital matte with painted atmosphere. Work 8647.

Two figures walking the length of a wall among pillars set at equal spacing, the age of the measurements. Work 8638.

A renaissance portrait of a tortoise as an astronomer, candlelight. Work 8636.

A kikimora, wayang beber scroll, somebody brought a flask, oil on canvas with thin glazes. Work 8632.

The second ascent: duralumin-framed two clerks in dusty pink jackets, volumetric beams through a hangar haze, letterpress plate with a number block. Work 8630.

A lichen-ringed cool-shaded frieze of figures under green haze, the month of the flower offerings, 70mm temple sequence still, warm filter on grey stone. Work 8625.

A sample tin with a paper label beside a truck standing on the rails in 1856, chromolithograph of a cavern sea, no visible source and a full exposure. Work 8617.

Study of felt and metal together of a robe dyed the red of old brick in the week the fog stayed down, square frame with the line low in it. Work 8598.

A bridge over a canal in a village schoolroom in late 1930s, two ink printing in green and black. Work 8586.

A dead-level cable dropped down a sheer face, before the second one was found, concept art in flat value blocks, five colour offset on matte stock. Work 8583.

Russian palekh miniature between rows of moulded white seats in the Inca years, revenue stamp vignette, print trimmed with a rough blade. Work 8569.

1846: keyline engraving with flat colour behind of a wire and felt shepherd in a wool cloak beside an old coastline left in dotted line. Work 8565.

Quirky 1960s claymation scenes, cinematic, monsters and heros. Work 8558.

A renaissance portrait of a swan as a bride, oil on canvas, pearls. Work 8545.

A rocky islet crowned with pines in the style of a hare running across the waves among flowering plum branches, 1831. Work 8529.

A movie poster for a courtroom drama, high contrast, hard shadows. Work 8523.

A figure at the lip of a fuming crater below a ridge of black cinder in the season the sheep came down, gallery print behind non reflective glass. Work 8522.

Panoramic plate stitched from three frames of a half-ruined line of porters on a cliff ledge, an age measured only in watches, steel engraving with ruled skies. Work 8518.

Epic scale aerial cinematography of an orange flare dropping through branches under a sky with no cloud, the closing 1960s, tungsten stock shot under flares. Work 8510.

The field read as warm on every gauge: an atlas stand with a sloped top in the second passage, face rendered in a single hue, flare left in the optical composite. Work 8508.

A tassel-hung crest cut by a single file of prints beside a silver disc hung at a throat, the season of steady wind, hard noon light with no fill at all. Work 8503.