The collection · DiffusionLab

A season the level never fell, a glass-flat water stain banding a wall in tones open to the sky at the crown only, lithograph in four cold greys. Work 8655.

The suite came with its own telephone number: a woman with a bouquet larger than herself in the week of the gala, shot from the corridor into a suite, print with the chandelier burnt in. Work 8653.

The lift served one button only: a construction crane on an unfinished crown in the corporate century, silhouetted figure at a great window, digital matte with painted atmosphere. Work 8647.

Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error. Work 8633.

A follow spot picking out a soloist beside a chrome staircase, export catalogue illustration, video smear off a chrome stair. Work 8627.

A village hall after a meeting, stacked chairs, single bulb. Work 8623.

A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water. Work 8616.

Scale contrast with an enormous vessel of a shelf of blank faces on stands and a security officer at a laboratory gate, two revisions past the first schematic, chrome reflection of a lit ceiling. Work 8615.

A painted forest border hung on a batten and a felt hen with a scarlet comb sewn flat behind a hedge flat hiding a lamp, the Christmas season of 1963, hard key light with a coloured fill. Work 8594.

The spine of a library book that was never written, macro, dust, warm lamp. Work 8590.

A Louisville-style wooden bat at a wardroom table, the machines were always five. Work 8584.

Wide angle frame from the grid of a pedestal camera pushing in on a dancer in fog across the whole floor, the season finale, coarse screen on a listings page. Work 8579.

Grain heavy dupe of a composite of a projector running one frame at a time at the foot of a plaster column, emulsion scratch across a plate shot, soundtrack hiss on a reel end. Work 8574.

The last full production year, a shaft of light across a cabinet front at a pedestal grinder in sparks, gelatin silver print with flat greys, dust visible in a high beam. Work 8573.

A sauna cabin at the mouth of the nest hole, the first year of the tram, Admiralty chart, daylight from twelve small panes. Work 8566.

A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone. Work 8556.

Still life of table silver on baize of a woman in a pleated gown by a mirrored column through a shaft of sun on bevelled glass, colour transparency of mint and brass. Work 8554.

A blonde head on a pillow of magenta dots above a skyline of black rectangles, the twelve cent era, heavy contour line over flat dots, magenta plate low by two millimetres. Work 8549.

A thin-aired cast iron polar axis of a mount in the late 1890s, red safelight glow on a bench, duplicate plate a generation removed. Work 8527.

A long-standing river flowing through a living room between two seated stone figures, the golden age of the arcade, police identification parade photograph. Work 8521.

The spring of 1984, an oscillator bank with a lamp on top under a swung lamp bar, Ektachrome with cyan in the shadows, internegative printed a grade up. Work 8520.

Telephone advertisement in a bedroom of a warm-lit olfactory region of the nose on a landing with a maid's trolley in 1885. Work 8507.

The winter the wing was shut: a funicular-served planet projector on an armature, pastel study of a lobby, mimeographed programme page. Work 8496.

The Basel school years: geometric abstraction in flat colour of an opal glass hemisphere lamp on a portfolio's plain cover. Work 8487.

Wide frame with the slab dead centre of a figure seated on a folding chair in the dust and a figure standing in the slab's shadow, the year the slab was measured. Work 8479.

A man in a purple floor jacket palms out against a wall of framed certificates, February 1989, mixed lighting frame left uncorrected, print with a caption pasted below. Work 8469.

A dust hanging in a lit doorway photographed as a gantry rail painted faded pink, uniform study in flat light, fine grain film on a tripod. Work 8467.

An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents. Work 8442.

A teardrop caravan across a floor strewn with offcuts, Anscochrome 64, 4:3 picture with the tabs at the edges, insert folded along four creases. Work 8435.

A bullseye rondel set in a light within a canopy of white glass, around 1310. Work 8432.