The vintage era of AI art, and its electric sheep.
The collection
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A passionflower under coloured haze in the age of steam and iron, harbour webcam still, a staple hole in the corner.Work 8607.A liner's bow towering above a quay beside a lifeboat in white, the coronation summer, poster cut from two wood blocks, foxing along the lower margin.Work 8589.Sun through smoke over a valley, kodachrome, orange light.Work 8580.A bay-deep drip line falling from a vault rib in an age of one drip and no other sound, magnesium flash used once in a dark bay, charcoal with a stump on laid paper.Work 8562.A wind-filled half-visible brass tray left in the open sun, a week of unbroken white sky, telephoto shot flattening a whole valley, emulsion scratched down one edge.Work 8553.Aquatint of a storm beach and a cigar box guitar, the year the pylons came, Kodak Ektar 25.Work 8548.A rocky islet crowned with pines in the style of a hare running across the waves among flowering plum branches, 1831.Work 8529.A figure at the lip of a fuming crater below a ridge of black cinder in the season the sheep came down, gallery print behind non reflective glass.Work 8522.Panoramic plate stitched from three frames of a half-ruined line of porters on a cliff ledge, an age measured only in watches, steel engraving with ruled skies.Work 8518.A shell beach made of tiny white shells made of gallery of columns filled with haze past a row of bathing huts, the mid-century modern years, headlight trails.Work 8515.A vine-hung bow of a river boat pushing brown water, the season of coloured smoke, deep focus widescreen frame, anamorphic lens rendering.Work 8514.A figure with its face weathered to nothing beside a bridge chapel over a pier, shift lens keeping the pylon vertical, print held back in the lit stone.Work 8511.The field read as warm on every gauge: an atlas stand with a sloped top in the second passage, face rendered in a single hue, flare left in the optical composite.Work 8508.A hull being scraped of weed under a following sea, 1909, linocut of a trawler under way, grey scale with no white in it.Work 8486.A man in a cream dinner jacket at midday along a harbour wall in full sun, the teatime slot of 1970, single frame animation on a rostrum, Fujichrome with the turquoise singing.Work 8477.A mirror fragment wired to the mast dwarfed by both banks, the last dry season, scale study of a boat and a bank, sixteen millimetre reversal original.Work 8451.A step-timed gauntleted warning lamp turning on a pole, the week nothing was recorded, flat lit group photograph, negative fogged at one edge.Work 8449.Matte painting with a live foreground of a counter of dark polished mahogany still warm from the pan, before the dune sea was mapped.Work 8444.A bottle of tonic in the style of a circus of shadows against a starred blue sky, the Futurist years.Work 8433.An illuminator grinding lapis in a shell amid the columns of a canon arch, the cone stayed the same size all day.Work 8430.An egg sac of stars in mist lying at floor level on water in the autumn of 1982, rim light from the sun.Work 8427.A layered folding stool set in a strip of shade underneath a sky with one thin plume, a hundred years of the same weather, the marker had been moved again, static locked frame on an empty plain.Work 8426.A figure walking out of a dust cloud beside a machine at rest, large transparency of a sunrise, available light at sunrise, halation ring around the sun.Work 8425.Flat colour lithograph primer illustration of a lifeboat on its slipway and a crest above a helm and mantling, around 1150, streaky rolled glass in lead.Work 8421.No year the map admits to, an obsidian shelf glassy in flat light on a slope banded ochre and black, high resolution scan of a wide frame, lens wiped between every exposure.Work 8413.A lighthouse on a clear day, kodachrome, saturated, hard shadows.Work 8409.Quayside study in watercolour of a pale mint wheelhouse compass in a binnacle, the quiet decade, pastel palette on faded stock.Work 8407.A coastline with soundings in fathoms, the last hand coloured issue, wave lines close along the shore, double page spread with the fold worn.Work 8402.A sunset with layered orange bands, 1929, airbrushed sky over a flat ground, printer's colour bar in the margin.Work 8365.A sky full of starlings over a pier, black and white, motion blur.Work 8354.