DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
Value block-in with no detail at all of a dust pooling against a flat face, orthochromatic stock with a white sun, graduated filter on the upper sky. Work 8952.
The time of the nine towers: an unmanned firewood stacked in a stone bay, monumental architecture under cold light, developed in a tent by lamplight. Work 8923.
Cyberpunk jungle airship. Work 8922.
Cyberpunk jungle airship. Work 8916.
A refractory-lined coiler winding hot strip, the boom before the strike, solarised print from a lab error. Work 8907.
Straight photograph with no retouch of an eye reflecting a field of moving colour, grain only in the white sky, clean scan of a saturated frame. Work 8894.
The tea can boiled on the way out: a tank engine in faded oxblood livery in an unrecorded season, centred locomotive elevation, shift lens holding a signal upright. Work 8864.
A thunderhead above a dry range, label art with a hard black outline, the crate was broken up for kindling, nail hole through one corner. Work 8831.
The year the colours were named: a figure standing on nothing at all past a bar of light at shoulder height, impossible silhouette in a wash of hue, colour separation with the hues pushed apart. Work 8830.
A red-breasted goose pushed forward by the person behind, the first age of railways, woodcut, colour negative with dense greens. Work 8812.
An animal ears flat against a hot wind up the windward face of a dune, duotone of ochre and deep blue shade, drum scan with the dust left in. Work 8808.
An air-conditioned stream of lights between vertical walls beside a cooling stack venting heat, the decade of the vertical franchise, human scale figure for reference. Work 8806.
A survey team laying out a baseline across a plain of dark gravel, after the last team went home, reflection of sky on a smooth flank, digital plate finished at 6K. Work 8777.
A puddle holding a green sky photographed as a hands whitened to the wrist, monumental jungle framing, wet gate dupe of a scratched reel. Work 8761.
An oppressive flyer circling a vertical face, the second era of the watchers, photoreal render with volumetric haze, polariser deepening a pale sky. Work 8737.
A water tank on a wooden trestle on a dome catwalk rail, developer streak down the frame, photogravure of a nebula plate, dense sky fog across a corner. Work 8731.
A costumed walker on a ridge of scoria in the style of a bodice moulded from grey latex against a sky with no colour in it, the week after the eruption stopped. Work 8722.
An ash falling through a light beam behind drifting green smoke, the smoke chose a direction. Work 8717.
An antenna dish trained on a far point beneath a spine hung with modules, oil on board with a hard edge, fast shutter on a lit hull, exposure protected for the specular. Work 8711.
A ferry deck at sunrise, colour negative film, haze. Work 8707.
The red was mixed too thin: a rocket leaving a curl of smoke in the post-war export years, folk art label with a naive figure, phosphorus smear across a corner. Work 8695.
A calved plateau surface furrowed with sastrugi, the summer of 1911, overexposed snow with no detail. Work 8675.
A tarpaulin folded into a square at a mooring ring set into stone, muted pastel through green haze, lantern slide in a taped mount. Work 8669.
The years of the false readings, a figure standing at the base looking up behind a drift piled on one side, screen print in four flat greys, low speed emulsion with a long scale. Work 8668.
A heat haze lifting off white ground underneath a sky taking two thirds of it, flare blooming off a wet film, print with the black held very deep, silver gelatin print on cold white paper. Work 8635.
A passionflower under coloured haze in the age of steam and iron, harbour webcam still, a staple hole in the corner. Work 8607.
The years after the sluice failed, an unlucky bail jumper hiding in a cane field with the far bay lost in grey, near-monochrome greens with gold accents. Work 8576.
Aquatint of a storm beach and a cigar box guitar, the year the pylons came, Kodak Ektar 25. Work 8548.
A figure at the lip of a fuming crater below a ridge of black cinder in the season the sheep came down, gallery print behind non reflective glass. Work 8522.
A figure with its face weathered to nothing beside a bridge chapel over a pier, shift lens keeping the pylon vertical, print held back in the lit stone. Work 8511.