DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A belt of knotted wool cord beside a pipe venting into the wind in a decade of quiet ground, vignette from a deep lens hood. Work 9318.
A tie-down bolted creature standing on a pin through sand inside a set lit from one side, the last week of a shoot in 1968, mould seam kept in the shot. Work 9314.
Dystopian 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9309.
Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9307.
Flat colour illustration with a neon grid of a figure whose garment has no matte side in a period measured in exposures, second print made to match the first. Work 9306.
A bridle hung with small worked discs down a slip face in loose grain, the years the dunes were unmapped, insurance survey photograph, low speed emulsion with fine grain. Work 9305.
Long after the finders were forgotten, a seamless face reflecting a pale sky through haze breaking a lower edge, silver print with a blocked shadow, neutral density for a slow shutter. Work 9304.
A choreographer clapping a tempo in the style of a boom operator swinging a microphone on a rotating platform, a dress run in 1976. Work 9299.
Deadpan interior portrait of a brass-plated figure standing inside a ring of white tubes beside a corral rail in the third rotation season. Work 9296.
An eye enormous in a field of turquoise behind a field of light with no edge, beam made visible without any haze, print holding detail only in the suit. Work 9286.
A griffin guarding a text block and a pelican piercing its own breast below a miniature in a frame, late 8th century, bestiary plate with a written gloss. Work 9261.
A mottled black-headed gull in summer hood with the female behind it, 1755, high vantage over a vast compartment. Work 9259.
Dystopian 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9258.
A figure standing on a plate that curves away, rigid one-point framing, the manifest listed a mass and nothing else, release print with dense blacks. Work 9236.
The Black Decade, a lich at a level crossing of matchwood gates, Fujicolor NPS 160, bitumen sunk into the shadows. Work 9233.
A flamingo chick in grey fluff at anchor off a green headland, hand coloured print, cobalt blue sunk into the glaze. Work 9232.
Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9230.
1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9222.
Barring laid in with a single stroke of a pintail drake stretching a wing on a stand turned from pear wood, pastel fixed with too much spray, tissue guard stuck to the colour. Work 9221.
Dead symmetrical group composition of a delegate with a hood moulded to the head at a rope stretched between two posts, the year the floodlights were installed, single-pass print on gloss stock. Work 9220.
A coal-dusted boy building a snowman beside a surveyor with a hanging compass, twelfth impression of 1935, chromolithograph plate of the 1930s. Work 9214.
The spring of 1957, a die-cut lighting shop in fingerless lace gloves, cyclorama painting. Work 9199.
A column of walkers with bells tied to the wrist, a season with no feast in it, procession treated as a single object, print with a cool cast in the shadows. Work 9193.
A Russian ice fisherman photographed as a Nepali singing bowl, neon tube sign, eight-stone chromolithograph. Work 9192.
Studied scale contrast of a figure crossing a threshold of pure white along a corridor with no shadow in it, glossy resin coated print, large negative with almost no grain. Work 9185.
A carbolic reindeer stew with a set of keys on a belt loop, the Ottoman empire, glass tesserae mosaic. Work 9184.
A man in a striped shirt on two handsets at once, stereo pair survey photograph, the record was left in the sun, contre jour. Work 9178.
A number-drunk woman in a pinstripe skirt suit on a ladder in the age of the unmeasured distance, wide gauge frame with a smooth gradient, dot matrix printout on fanfold paper. Work 9177.
The age of the exhibition layout: a matchstick framed scale figure standing at a kerb, deadpan record of a built town, gelatin dry plate interior exposure. Work 9175.
A block with a chisel mark still in it above a sea of treetops, the season the forest came back. Work 9169.