The vintage era of AI art, and its electric sheep.
The collection
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Production still on a stone set of a stair with grass in every joint at the foot of a temple tower, polariser on a still moat, condensation on cold glass.Work 8998.A span carried on two heavy piers at the point where the ramp meets the floor in the year the seasons ran backwards, high saturation reversal stock.Work 8963.A twin pyramids joined by a lit bridge at the foot of a four hundred metre flank, the age when the board outlived the state.Work 8959.Rendered as a plate from a site report of a capital of stone leaves half submerged, selenium toning for cold deep blacks, single sheet exposed at slack water.Work 8955.Flat areas of ochre and slate blue of a pond yacht with a broken mast in a rack of air cylinders, Perutz C14, half-frame 18 by 24.Work 8942.A sand barge under a taut grey sail over a buried station roof, architectural rendering in flat light, flare cutting right across the glare.Work 8941.A bruised moll driving barefoot on a coast road against plaster layered with tags, two floods after the last survey, mass market paperback front cover art.Work 8937.A manipulator arm closing on a rock over four thousand metres of water in 1951, museum case documentation photograph, blueprint white on cyan.Work 8933.An amber-toned stepping stones cut square in a ford, the age of the stone watchers, light shaft treated as the main subject, orthochromatic film under warm light.Work 8913.The week the moat filled: chalk-numbered lily pads across a stone tank, colour timed toward magenta haze, colour crushed to stone and haze.Work 8911.1883: a woman in a headwrap with a rum glass under a squall crossing the bay, pen and ink with mechanical ruling, sheet with pin holes at four corners.Work 8888.The ship moved half a mile with the floe: ballistic photograph of a light hearted Chinese embroidered silk screen, the autumn of 1975.Work 8873.The VKhUTEMAS years: an oscilloscope trace of a ping under crossing searchlights, launch and recovery sequence frame, halftone from a cruise report.Work 8860.A settlement seen whole from the far rim outside a settlement cut into rock, after the rock ran out.Work 8854.The verse spells one word wrong: surface satin stitch with no padding of a wool-worked swan on a pond of long stitch, late 17th century.Work 8848.View taken from the far side of a vent of an undyed moss growing in the cracks of a flow across a field of black lava in the third winter of the survey.Work 8842.A line of pillars set at equal spacing before a surface taking no light, long lens across two miles of haze, egg tempera over a chalk ground.Work 8836.A bucket of ice on a smoked glass table under a bank of pin spots in the last of the deep soundings, focus stacked for a two mile depth.Work 8822.Numbered series label art of a rice planter in flooded ground holding one bar between them, the fortnight of the count.Work 8807.The Algerian War years: a tugboat nudging a liner within a turning ring station, flat shaded polygon render, bulb flash on a dark terrace.Work 8793.A miniature of a flooded street, tilt shift, reflections.Work 8773.A kimono spread open on a rack beside a stone water basin in 1842, round censor's seal at the edge.Work 8768.A puddle holding a green sky photographed as a hands whitened to the wrist, monumental jungle framing, wet gate dupe of a scratched reel.Work 8761.A formalin-pale sonar dome housing under the keel in the Sargasso calm, the mid 1960s, echo sounder trace facsimile.Work 8756.Miners gala souvenir print of a downcast shaft in cold air under a chimney by the boiler house, the last year of hand hewing, ferrotyped gloss print.Work 8730.A river with its tributaries named and a price crossed out and made free, woodland shown by small tree symbols, flyer folded in four in a pocket.Work 8716.A displaying black guillemot on a wet rock, 1854, photolithograph after a painting, sheet cockled where the wash was wet.Work 8713.An antenna dish trained on a far point beneath a spine hung with modules, oil on board with a hard edge, fast shutter on a lit hull, exposure protected for the specular.Work 8711.Water combed into repeating lines of a dragonfly on a rice stalk in 1858, fine line carved thin and broken.Work 8708.A ferry deck at sunrise, colour negative film, haze.Work 8707.