The collection

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Fat slab type with a gold rim of a band name in swollen bubble letters in matching white suits, the gatefold years. Work 8885.
High Victorian, a newsprint-tan medic bandaging a forearm after a preparation in the museum, the French atlas manner with soft tints. Work 8875.
The era of the outer moorings: a welder in a hood the shape of a helmet under a thruster bell the size of a church, brutal scale comparison shot, contact print with dense shadow. Work 8862.
Poster illustration in candy colours of beach-ready two men in pastel shirts hauling a marlin, summer 1985, dye sublimation print in high gloss. Work 8855.
The summer nobody went home: colour supplement travel feature of a man in a straw trilby at the wheel of a tender at the rail of a corniche road. Work 8853.
A scale overlapped to shed the light, deadpan portrait of an impossible surface, it was cold to wear and she said nothing, meter reading taken off the shell. Work 8845.
Camel-coated two men in overcoats beside a low slung wedge, midweek in 1987, varnished dealer poster. Work 8826.
An accountant's head in flat slate over a sheet taped at four corners, the second sitting, screenprint head over a halftone photo, guillotine cut through the chin. Work 8825.
X-ray plate of an excavated headcloth wound twice and tucked, the Little Ice Age, glass plate negative on thin glass. Work 8802.
An evenly spaced guard in a pale mint tunic with brass buttons under a shaft of coloured dust, the years of the works, dust filled shaft of light study. Work 8799.
An embankment of papier mache, a winter of modelling in 1962, poster colour sky behind grey slates, close up lens on a bellows. Work 8796.
She closed the place down: mirror etched with a dancer of a roaring host in a white dinner jacket working the room, the year the floor was rebuilt. Work 8792.
A renaissance portrait of a bulldog as a duke, oil on canvas, heavy drapery. Work 8791.
Swimwear catalogue page in flat light of a man in a cream fedora under a neon sign up against a support post, the winter of 1993, halftone of a flash print on newsprint. Work 8790.
A stand in figure for a lighting test made of tower flank ribbed with a thousand windows across a desk from two examiners, two mergers after the charter, spherical wide angle with deep focus. Work 8772.
A lamp shade of leaded green glass mended with a lead through the face, the 17th century, streaky glass used as a painted sky, flashed ruby on a white body. Work 8763.
A crew member in a headset grinning made of spotlight beam hitting a gold catsuit beside a rack of costumes, the tenth anniversary show, saturated magenta gel wash. Work 8753.
A man in a double-breasted coat greeting the room on a modular leather sofa, the height of the boom, fashion plate in flat saturated colour, push processed colour negative. Work 8745.
A far-off woven girth band in three colours crossing without a word spoken, the age of woven girths and brass, silhouette study of a wound headcloth. Work 8739.
An oppressive flyer circling a vertical face, the second era of the watchers, photoreal render with volumetric haze, polariser deepening a pale sky. Work 8737.
A pastel-dulled valet pressing trousers on a folding board in 1860, petzval field with a soft rim, brass barrel lens with low contrast. Work 8733.
A rope as thick as a thigh round a block and a panther breathing a sweet breath, Gothic miniature with slender figures, silver leaf tarnished to grey. Work 8723.
A costumed walker on a ridge of scoria in the style of a bodice moulded from grey latex against a sky with no colour in it, the week after the eruption stopped. Work 8722.
A flamingo-pink woman in mint green heels on a marble terrace beside a hydraulic truck hoist tipping a box, late in the eighties, railway branch line record photograph. Work 8721.
The middle of the decade, a loud-printed man in a peach shirt gripping a boat rail with the sky gone tangerine, neon sign lighting a face in magenta. Work 8714.
Ultra-wide vanishing point shot of an antiseptic figure seen through a circular white aperture behind a curved white screen in the long white interval. Work 8710.
A commission paid in advance: bee-hived twins' heads in mirrored colourways, glamour portrait flattened to flat colour, photostat blow-up of a press photograph. Work 8700.
A glitter-varnished figure on a throne of gold tubing under a beauty dish, the airbrush years, carriage print in soft sepia. Work 8697.
A cameraman's face in flat blue grey inside a gallery of tiled portraits, the black plate went on last and saved it. Work 8686.
A wide-shouldered pleated costume held together with visible stitches, some time after the last collection, colour transparency of a single look, emulsion that reads pink in the shadows. Work 8682.