The collection · DiffusionLab

An addax on a stony plateau, wide angle frame of a tower base, the building drank a river every day, Perutz Peromnia 21. Work 9667.

The era of balsa and enamel: a half height mill chimney rolled from paper, hard key light and a cool fill, scratch across an enamel roof. Work 9660.

Pencil sleeve rough on tracing paper of a woman in a marble bath holding a telephone asking for the whole trolley again, the last gatefold season. Work 9657.

The year the slum clearance began: a bashful steeple poking out of a reservoir, driving licence photograph, Bergger Pancro 400. Work 9653.

A shaft of sun standing in a gallery inside a corridor with a bright end, dream sequence stone still, long lens stacking the towers. Work 9643.

A surveyor sat on a spoil heap beside a floodlight on a tall mast, before anyone came back, rim light on a dust filled edge, silver gelatin print toned warm. Work 9639.

An interlocking wood and fabric wing rib beside a jug of punch on a table, the flood of 1927, production illustration in flat sand tones. Work 9638.

An era with no name: a dining table set for one under four mirror balls, split lighting in two colours, light struck frame. Work 9637.

A balloon net released above the floor and a woman posing for a photographer mid-laugh, twelve-inch sleeve photograph, high contrast monochrome print. Work 9635.

A covered hopper car under a loading spout photographed as a spectrohelioscope at a tower slit, lithographed plate of a comet, acetate negative with vinegar warp. Work 9626.

The first season of the mast, a steward in a short white jacket in front of twelve men in matching tunics, letterpress with a tissue overlay, limelight aimed into a large space. Work 9615.

A salt-stiffened indigo-dyed signboard bleached past reading, the middle of a hundred year drought, architectural scale applied to a person, acrylic on a primed panel. Work 9608.

A star-speckled cooling fan behind a projector base, 1941, curvature of a dome pulled straight. Work 9604.

A slab burner cone against the sky among peeled poles stacked to dry, 1944. Work 9602.

Shoebox of loose prints of a boilermaker and a domestic science room with six cookers, the era of the Model T, ring flash catchlight. Work 9600.

A knee of a seated figure above the surface beside a rope looped round a plinth, spirit level set before the frame, palladium print in warm grey, salt print with a long tonal scale. Work 9598.

A pipe bridge over a roadway, dilapidation survey frame, the rust came through in one season, gelatin silver print printed down. Work 9590.

A tulip bed in strict rows in a rack at a market stall, cottage garden scene in miniature, colour printed on a cream ground. Work 9582.

Walking challenge, press photograph from the pit wall, 65mm frame with a huge sky, soft graphite on laid paper. Work 9579.

The last full production year: safety handbook figure with arrows of a welding hood with the visor down against a wall of glazed brick. Work 9575.

A white dome reflected in water beside a hotel ashtray in the twelve cent era, blown-up newsprint detail as a picture, plate wear thinning the outline. Work 9568.

The Dessau years, an axonometric of a small house along a band of ribbon windows, negative print reversing the tones, hand-set type with tight spacing. Work 9567.

A kiosk with a lattice roof on a blueprint's blue ground in the VKhUTEMAS years, contact print from a glass negative. Work 9562.

A figure narrowed to a gleaming stalk made of figure in a girdle of nacre buttons near a doorway with no light behind it, the third night of the same setup, print laid under glass for the gloss. Work 9560.

A fortnight without a signal: a buttress root taller than a person across a page split on the diagonal, woodcut poster with a coarse grain, rotary press printing with a slur. Work 9553.

Easter 1972: a ripple-floored Icelandic chicken, stipple engraving of a specimen, transparency lit on a bench. Work 9547.

A doorway cut into the side of a dune, the second era of the rigs, frame built on one long diagonal, 8x10 negative on a heavy tripod. Work 9536.

The flag still stood on the return: snow goggles with slits cut in them in the winter of 1915, coastal profile sketch, bromoil with brushed texture. Work 9533.

A nightjar crouched along a branch along the border of a lancet in around 1200, steel engraving in cold black. Work 9525.

A weed bending all one way and a sheave block hung from a beam beside a measuring staff held upright, the summer of the stone survey, staged scene with a painted backdrop. Work 9523.