The collection · DiffusionLab

The inspection lasted eleven minutes: a dust suspended over a polished floor in 1806, two colour plate in ochre and oxblood, large format sheet film with deep haze. Work 7537.

A soot-inked paper lantern shop at dusk in 1814, carver's seal beside the title, album page with a paper hinge. Work 7526.

Deep focus from desk to skyline of a pneumatic tube terminus in a clerk's wall in the decade of the vertical franchise, heavy halation around lit windows. Work 7521.

A ballast bag slung between two frames behind a band of curved glass, architectural perspective of an interior, letterpress with a tissue overlay. Work 7489.

Multiple exposure of a precession of a pinhole plate of one constellation, lantern slide in a wooden frame, time exposure with the shutter held open. Work 7483.

A fall lit from behind by nothing obvious beside a niche with a number over it, the stove smoke went up and vanished. Work 7478.

Claustrophobic framing of a transformer humming behind a mesh gate under a ceiling of strapped cable, photogravure with rich middle tones, tungsten film in a lit machine hall. Work 7473.

A looming wall running straight for forty miles in after the last team went home, diffraction softening the finest edge, long exposure with the haze smoothed. Work 7457.

A hut with one shuttered window, long lens compression down a line, the whole train weighed less than a lorry, enamel finish in cream and green. Work 7445.

Disposable camera flash at close range of a thin-aired prism train inside a spectrograph, an August with no fan, monochrome print at postcard size. Work 7418.

A ticket office with the window shuttered, available light, worn counter. Work 7410.

Grid of the same stencil in new inks of a fisherman mending a net, pochoir with hand cut stencils, drip run down from the top edge. Work 7402.

Model photographed in raking light of a spiral stair in a workshop wing in 1835, slow fine grain film on a tripod. Work 7399.

A blown-out trawlerman's head in sea green inside a record shop window, an edition of twenty-five, flat portrait on a garish flood. Work 7390.

The Weimar years: a pavilion of concrete and glass on a mirror with a hard edge, geometric abstraction in flat colour, laid paper with visible chain lines. Work 7377.

Deadpan portrait in impossible light of a colour-washed figure reflected in a curved pane of colour, the period of the open gate, colour master graded past plausible. Work 7338.

A dust and vapour hanging in a light shaft under a bar of light on the water, an age of one drip and no other sound. Work 7332.

A lacquer-black papermaker lifting a dripping screen behind a hanging shop curtain, 1788, shin-hanga landscape print. Work 7310.

Hotel monogram ornament study of a reception desk flanked by two brass lamps and a valley of pines below a hotel front, the season after the staff came back, reflection doubled in bevelled glass. Work 7270.

A tumbling hangar deck with a ship inside, the age of hard shadow, scan with the negative edge included. Work 7238.

A lead-mended Jesse window rising through lancets in a lancet above an altar, around 1380, the blue is the only original glass, needle scratched damask in a matt. Work 7222.

A running light on a machine at midday, contact print from a large negative, the label outlived the object, verticals held true on ground glass. Work 7219.

A matched workshop bench under a haze filled window beside a shadow of a train thrown long, the years of three engines, gold bronze ink over a flat field. Work 7214.

A dentist's waiting room, fluorescent light, wide angle, magazines. Work 7200.

The season finale, an export-stamped rehearsal run with the house lights up with the gum still shining, opening titles in chrome lettering. Work 7193.

A barber shop with the chairs empty, mirrors, warm light. Work 7153.

A bee on a foxglove from a train window in twelfth impression of 1935, lithographic tint stone over a key block, collotype plate on smooth stock. Work 7150.

A fossil shell face up in stone from a punt worked with one pole, ambrotype with a slate black ground, rising front to hold a vault upright, diazo copy in pale blue. Work 7148.

Renaissance glass with enamel modelling of an opalescent glass landscape window and a labour of the month in a roundel, the Arts and Crafts years, sanguine iron red fired for flesh. Work 7146.

Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7143.