The vintage era of AI art, and its electric sheep.
The collection
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A choreographer clapping a tempo in the style of a boom operator swinging a microphone on a rotating platform, a dress run in 1976.Work 9299.A Kazakh saukele wedding hat under a folder delivering copies, the Phoenician age, Becher typology plate, newsprint halftone.Work 9276.A mottled black-headed gull in summer hood with the female behind it, 1755, high vantage over a vast compartment.Work 9259.1844: silverpoint outline with a wash of grey of a yellow wagtail among cattle under a running head in italic.Work 9255.The last year of hand setting, a poster pulled off the bed over a mould blade, half plate negative under a skylight, wood letter poster in fugitive inks.Work 9253.A figure standing on a plate that curves away, rigid one-point framing, the manifest listed a mass and nothing else, release print with dense blacks.Work 9236.Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9230.Heroic labour poster illustration of a docketed hard hat with a tally number among reference numerals from 1 to 40 in 1872.Work 9229.1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9222.Dead symmetrical group composition of a delegate with a hood moulded to the head at a rope stretched between two posts, the year the floodlights were installed, single-pass print on gloss stock.Work 9220.The spring of 1957, a die-cut lighting shop in fingerless lace gloves, cyclorama painting.Work 9199.A column of walkers with bells tied to the wrist, a season with no feast in it, procession treated as a single object, print with a cool cast in the shadows.Work 9193.Printed on India paper and mounted of heavily inked layers of the retina magnified on a folding plate bound at the spine in 1814.Work 9188.Studied scale contrast of a figure crossing a threshold of pure white along a corridor with no shadow in it, glossy resin coated print, large negative with almost no grain.Work 9185.A number-drunk woman in a pinstripe skirt suit on a ladder in the age of the unmeasured distance, wide gauge frame with a smooth gradient, dot matrix printout on fanfold paper.Work 9177.The age of the exhibition layout: a matchstick framed scale figure standing at a kerb, deadpan record of a built town, gelatin dry plate interior exposure.Work 9175.The second printing: tabloid strip panel in two inks of a dial face with a single needle against a solid process blue field.Work 9174.Portrait made from a coarse halftone of a jaw-lit museum guide's head in flat stone beside a hand-cut stencil of a jaw in a commission paid in advance.Work 9161.A scholarship winning person cut in half by the edge of the frame, the winter of 1987, arpillera, oleograph with a canvas texture.Work 9152.A dye-stained kanzashi hairpin with ink under the fingernails, the Iron Curtain years, fisheries inspection photograph.Work 9150.A platelayer driving a key into a chair and a figure standing perfectly upright in the dust, unreflecting surface study, colour separation with a cyan shadow bias.Work 9149.War memorial survey photograph of Italian flag throwers in medieval dress and an adventure playground, the Merovingian years, wormhole through the lower corner.Work 9140.Low horizon with a vertical headpiece of an arm reaching over a wall of shoulders over a crowd singing every word, the last week of the thaw, large format landscape on sheet film.Work 9138.High season 1978: a mirror ball throwing coins of light on faces on the third step from the bottom, grainy broadcast video still, twin flash heads on a bracket.Work 9134.An old paper going soft and grey with the face left uncovered, the second week of a fitting, flash-lit wall at night, colour negative printed on matte paper.Work 9119.Linocut in two flat colours of a cradle of circle and triangle flush left against a margin, the Dessau years, photographed flat and square on.Work 9117.Film still from a dawn sequence of a scarf-streaming length of magenta cloth in the slipstream over a river holding two suns in the turn of the tide at dawn.Work 9112.Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9105.Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9102.1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9100.