The collection · DiffusionLab

An interviewed heart trace on a small green screen inside a tank hall on a night shift, the second series of the upgraded eye, sterile symmetry composition. Work 8244.

A luminous edge-lit runner stopped mid-stride on a curved floor, the year the ring was closed, measured stillness in the frame, archival print with pure paper white. Work 8241.

A quietly absurd tea can warming on a tiny boiler dwarfed by the plain around it, the short seasons, timetable leaflet cover image. Work 8234.

An air grille in a numbered stone panel at the foot of a splitting stair, a year with no report. Work 8231.

Ultra-wide frame with no horizon of a figure dissolved at the edges by glare in the age of the bright corridor, clean gradient held on a big negative. Work 8229.

An inflatable dome and an elevator being pulled down by cable under fluorescent tube lighting, the second half of the century, moiré patterned halftone. Work 8228.

A souvenir view rack by a revolving door made of entrance canopy with a scalloped edge off a landing of mint painted doors, the spring the facade was repainted, grain in the shadow under a stair. Work 8218.

A cable of a suspended light fitting with the ballast already released, a year with no report, mirror symmetry across a marble hall, duotone in grey and mint. Work 8207.

A pyramid set piece in gold paint on a stoop built in a studio in the gatefold years, ink and dye on coated board. Work 8201.

A damp-stained doorway half filled with quiet water, the long wet age, volumetric shaft through interior haze, whole plate negative squared to a facade. Work 8197.

The last night of the booking, a figure seen from behind in a shell cape inside a space with no visible wall, fine grain holding every scale edge, standard lens with no falloff at the edge. Work 8192.

A sunken court with a single stair out in a drug store room at the back, speed camera photograph, Kodachrome dense shadows. Work 8157.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8152.

A hall of cabinets vanishing into haze, the week of the inspection, hand tinted plate in mint and pink, colour negative printed slightly cool. Work 8146.

The Babylonian years: a thread-strung safe deposit room, muted pastel over deep shade, two stop push in old developer. Work 8116.

A skipper at the spokes of a wheel in a wheelhouse at night, lithograph on smooth trade paper, albumen print gone yellow at the edge, blown highlights on wet oilskin. Work 8115.

Glass shot reference photograph of a soldier's face in flat olive against a shutter of mint boards, the 1960s, slide taped and numbered. Work 8112.

A Swahili doorway photographed as a sky lobby, low angle hero shot of a tower, wide angle at 28mm on the terrace. Work 8107.

The second season under the ice: a humidor of polished walnut at the far end of a silent space, wide angle interior with a vanishing point, uncoated lens flaring on a lamp. Work 8104.

A magenta-hazed temple gate with a carved face under a canopy pressing on a wall, the last of the wet months, the smoke would not leave the gallery, unhurried held composition. Work 8102.

1970s strange cartoons, glass negative scratched at the edge. Work 8101.

A bricked arch with one course removed sheltering against a warm duct, a hundred years after the first bore, smoke-filled stage underground, blueprint process on blue paper. Work 8095.

An arch-spanned trough cut from one block of stone, the age of the road builders, near-monochrome stone with gold accents, ground glass squared to the road axis. Work 8091.

The Ottoman classical age, a bell that rings silence along a lit walkway to the floor, gum bichromate over a warm ground, green cast from ceiling fluorescents. Work 8090.

A boatman looking up into the vault, an age of quiet under a broken dome, deep atmospheric perspective bay by bay, photogravure with a deep vault black. Work 8081.

The ferry was requisitioned that autumn: oasis palms beside a still pool in the first postwar summer, poster with a ruled red route line, four pin holes at the corners. Work 8063.

A man in a cream jacket betting on the tie beside a doorman in gold braid, she tipped in the highest colour they had. Work 8048.

A recessed window rank in full shadow along a channel running dry in before the upper terraces were cut, development pushed for a hard edge. Work 8033.

1934, an unlit weather chart pinned in the radio room with the hatch still open, popular magazine colour plate. Work 8020.

A man in shirtsleeves with a pen behind each ear in a corridor of grey terminals in midweek in 1985, rotary press page with ghosting. Work 8012.