The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Lens flare kept as composition of a sheet-numbered figure whose train is held out by hands, well into the age of the grown limb, tungsten stock in cold dawn air.Work 6895.An assistant in dusty pink facing the lens listed as item two hundred, the year the gallery was glazed, specimen plate on a plain ground, offset litho on dull cream stock.Work 6892.A stood in a row observer with a magenta filter over the eyes, the era before the site was named, ceremonial stillness in the frame, colour separation with a cyan shadow bias.Work 6865.Wide shot with a figure at the third of a figure whose silhouette breaks the skyline near a vent too hot to stand beside, scan with grain visible in the sky, dye based print with heavy greens.Work 6864.70mm widescreen film still of a crew member with the helmet on and nobody near underneath a lit white walkway, the fourth crew rotation, sharp corner-to-corner resolution.Work 6847.A woman in a sun visor on a pit lane bench at the exit of the hairpin in the gold livery years, Fujichrome 100D transparency.Work 6837.A vet's head in flat moss and a typist's face in high contrast, flat head study in clashing inks, ink bleeding under a hand-cut edge.Work 6835.Portrait with the horizon removed of a figure in a hat the width of a table, grain visible only in the flat ground, print toned slightly toward olive.Work 6787.A headdress of bent brass petals near a crossroads with no signpost, the rope had a grip worn smooth.Work 6735.Four-colour newsprint comic panel of a forkful of spaghetti in red dots with a pink hotel sign overhead, the year the marina filled up.Work 6708.A wind-burnt ski school line in matching red bibs in New Year 1982, airbrushed gouache on board, flash fill against hard sun.Work 6693.Colour test with green filtration of a light coming down in solid beams and a headdress of feathers and wire, the far end of the dry season, graduated magenta over the top of frame.Work 6676.Two-up layout copied and guillotined of a cover with the title cut into a photograph, photostat mounted on thin cardboard, biro on lined paper then copied.Work 6675.A ragwort lined out by hand in one colour, the shag pile years, frame with the flash not quite recycled, grade with the shadows pushed to cyan.Work 6653.A crew member in white boots on a white floor and a parasol with lace, advertising still for a hi-fi leaflet, copy shot slightly off square.Work 6636.A smoke-filled afro caught in a strobe at the door of a nightclub, the summer of 1979, smoked mirror etching.Work 6613.Visas arranged by the agency: timetable cover illustration of a straw hatted lacquered tray of tea things, 1960.Work 6605.Papers ready at the barrier: reportage photograph of a soot-stained gang in matching mirrored visors, the era of the retrofitted machine.Work 6542.An out of focus teenager who saw it first, 1987, color shift toward magenta.Work 6515.The early 1960s, a blustery ghost train front holding a bucket and spade, holiday camp brochure page.Work 6499.A sullenly patient space station shaped like a chandelier with a headscarf knotted under the chin, New Year 1945, arcade cabinet side art.Work 6373.A crack running through the deck photographed as a bottle of Coppertone, William Eggleston style photograph, Eastman 5254 negative.Work 6347.1979, a sugar frosted colour bars with a tone in the corner while the announcer keeps talking, safe title area framing.Work 6259.A night shift museum of curiosities, the Ptolemaic years, Adox NC 17 colour negative.Work 6225.Travel film frame in sixteen millimetre of a lei placed over a traveller's neck in the late 1960s, Nikon F with a fifty millimetre lens.Work 6185.A woman describing what she saw made of bait station of apples and corn in a cornfield after harvest, 1969, printed small in the county paper.Work 6060.A piadina, photograph of a photograph, she watched from behind the nets, Ilford SFX 200.Work 6034.A streamlined zigzag parapet against a flat sky in the summer of 1937, macro close up of a tin joint, four colour halftone on pulp paper.Work 5994.A ready mixed crowd on the stairs at Le Palace with the logo panel behind, the autumn of 1977, one inch Type C tape transfer.Work 5971.A couple sheltering under a coat in a red bathing cap, the space race, patent illustration in line, salt haze.Work 5935.