The collection · DiffusionLab

A tied crown of seakale in a pot, just after the war, colour proof with the register marks, glass plate contact on gaslight paper. Work 7330.

Robot choir photographed as mamuthones, sodium coloured light still, medium format colour with deep saturation. Work 7324.

A triangle on a panel of flat orange ink in the flood of 1927, instrument maker's catalogue plate, staple gun used up in one street. Work 7305.

Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy. Work 7290.

A haze-lit lamp cable rising out of the frame beside a post trolley parked square, the season of the shallow works, the directory listed a department twice, night interior with half the lights on. Work 7284.

The Three Kingdoms period, a caving beside a magenta warning lamp, contact print of a whole roll, fifty copies dubbed over one weekend. Work 7281.

A figure ringed by six shifting discs inside a tank of still shallow water, the year the lamps were replaced, full figure small inside a dark frame, two heads at full power and no fill. Work 7280.

Hotel monogram ornament study of a reception desk flanked by two brass lamps and a valley of pines below a hotel front, the season after the staff came back, reflection doubled in bevelled glass. Work 7270.

Victorian reader plate reprinted flat of a Victorian séance and a croupier spinning the ivory ball backhand, the Mary Quant years, selenium toned monochrome enlargement. Work 7262.

Soft canvas against polished copper of a circle of lamp light on the sea floor, 6x7 colour transparency, daylight only at four fathoms. Work 7235.

A running light on a machine at midday, contact print from a large negative, the label outlived the object, verticals held true on ground glass. Work 7219.

The week the shells arrived, a glassy figure with the hands hidden in shell finished in six coats of lacquer, study of texture at three distances. Work 7176.

A spectroscope with a collimating tube through a bead curtain into red light, the ninth year of the long monsoon. Work 7156.

A barber shop with the chairs empty, mirrors, warm light. Work 7153.

Paste-up layout with type in position of a teak sideboard in the last of the crewed stations, diazo print. Work 7136.

A legion of lanterns across a pantry of numbered lockers, after the site was closed again. Work 7133.

Travel plate with the type left off of a rheostat wheel under an operator's hand in a demonstration room off the lobby, the quiet part of the year, mimeographed programme page. Work 7132.

A rivet-studded weightless dock hand in a hard suit gone amber with dust, the closing years of the outward works, spotlit figure in a dark lattice, hand-held at a very wide aperture. Work 7131.

A wind-filled light releaded in the wrong order in the Quiet Revolution, Agfacolor CN17, print with the marble dodged down. Work 7121.

A level chain of surveyor's links laid out beside a naphtha lamp on a long staff, the year of the fourth cavern, monumental void with a tiny camp. Work 7107.

A movement chart taped to a lamp stand over standing water on a floor, the year the masks were issued, wire removal done badly in the optical, soundtrack hiss on a reel end. Work 7099.

Resort brochure colour photograph of a gong with a hammer resting against it handed over a table at the door, the mid 1850s. Work 7095.

Quirky 1960s claymation, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7081.

1887: a valet sprinting past a row of headlamps against a wall of smoked glass, candid arrival frame with flash, whiteprint with sepia lines on cream. Work 7022.

A bare bulb strung down a passage over still black water, balloon lettering in ruled capitals, sodium lamp in a wet bore. Work 7014.

A number 2 in cream on a mint panel through a haze filled upper terminus, the winter timetable, night platform under one lamp, fibre print with a warm black. Work 7011.

Dome construction blueprint of a time signal receiver with headphones and a setting circle read with a small lamp, 1904, moonlight exposure of many minutes. Work 6969.

An electron gun by a stove in a cold hut in the decade the river stopped falling, zodiac roundel in gold and azure, tube camera bloom on a bright lamp. Work 6961.

Side light raking a wall of rivets of a gauge-crowded chandelier of cut glass under a low deckhead over a sight glass column in the year of the first descent. Work 6934.

A mist-cut Chicago blues bar beneath a coffered ceiling grid, the Italian economic miracle, the last run was printed in five inks, studied scale contrast. Work 6923.