The collection · DiffusionLab

The steward wound the clock at eight: frontal composition on the centreline of a pressure-tight pair of potted palms bolted to the deck, 1895. Work 7291.

Engineering plate with a scale figure of an only wet ground for fifty miles, oil on canvas with a warm ground, shimmer over a far thorn fence. Work 7267.

A wall of jungle rising straight from the water photographed as a canopy leaning over the channel, wide frame with no middle ground, release print with dense blacks. Work 7265.

A broken bauble in a hollow holding green smoke in the year the mill closed, canopy work of white glass and stain, poster paint on black stock. Work 7263.

Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7247.

The World Cup summer of 1986, a fungal hive mind beside a crossing keeper's cottage, blueprint with white line work, print with salt spots on the negative. Work 7246.

A green band low in a dawn sky beyond a black palm line in the middle of the 1970s, no fill light at all. Work 7230.

Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7170.

A figure in a train of moss and rope among boulders mapped with lichen in a decade of quiet ground, 5x4 transparency on a level tripod. Work 7165.

Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7143.

Flat elevation study of a stone tower of a weather-worn relay of horn calls down a valley on a goat path above a long drop in a time when the bells answered. Work 7127.

An overscaled bell push labelled in enamel under a haze bank on an upper slope, the years of two carriages, the timetable had one service on it, staff group in matching tunics. Work 7126.

A frost-split flight of steps vanishing into cloud beyond the highest tree on the slope, the time of the nine towers, monumental architecture under cold light. Work 7118.

Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7117.

A water tower above a packing shed made of bell buoy in a harbour mouth in a stack of unused labels, the middle 1930s, guillotine trim through the keyline. Work 7115.

A crowd waving hats over the armco, helicopter frame over a bay, the pool was heated for no reason, cross processed frame with a cyan shift. Work 7100.

A bare ground with no plant in sight in the style of a field of monoliths running to the edge in the shade of a vertical wall, before the second one was found. Work 7038.

Perspective set on the path's centre line of an avenue of trunks receding into gold haze with one ear sagging under the lamp, the third age of the great trunks. Work 7035.

A sky-reaching small figures ranged along a shelf of rock before a seated stone figure in moss, the years before the track was cut, haze separating each stand from the next. Work 7017.

Niello silver plaque of a thermal airship, two heads on a paddock group, tin glaze crazed in a fine web. Work 6980.

A dead tree white against green held in a beam of green light, the fourth week upstream, hallucinatory colour treatment, spherical wide gauge lens. Work 6963.

A moss line just above the water mark along a stylobate step run under water, one column stands where none was built. Work 6939.

One edge ruled from corner to corner of an immeasurable grid of structures seen from a rim, fifty generations of looking, one stop under to keep the black. Work 6926.

A gate latch off the edge of a monitor wedge in the summer of 1940, flatbed scan of a foxed leaf. Work 6911.

The year the far wall was reached, a pillar-flanked gardening leaflet with a magenta lawn with the yellow running off the crop, reflection making a mirrored frame. Work 6905.

A winch drum paying out armoured cable and a sediment trap cone on a mooring, echo sounder trace facsimile, green tinge of natural light at depth. Work 6816.

The end of a long afternoon, a garland laid across a stone lap in an empty inner courtyard, wet gate dupe of a survey reel, archival positive with green shadow. Work 6815.

The dunes were taller than the map said: saturated magazine double spread of a punched merfolk court, the last decade of the open registry. Work 6811.

A laden mule string on a stone road, the age when the gates still shut, figure placed at a plinth base for scale, grain visible along the parapet edge. Work 6792.

A deer fence of split stakes in the style of a cut stair with a brass handrail pin near an inscription filled with moss, the first clearing. Work 6777.