The collection · DiffusionLab

Offset lithograph on thin label paper of a figure in a headpiece of anodised titanium, transparency on a light box in the dark, duplicate transparency made for the file. Work 8475.

A figure in a headpiece of steam bleached wire in the style of a figure standing in shallow mineral water under thin rain on warm rock, a period measured only in steam. Work 8457.

Beam of light through vented steam of a crew member with a mirrored dome helmet and a suited figure no taller than a hull rivet, the long cold assembly winter. Work 8441.

Ghost hunting infrared still of a nahual halfway between jaguar and man down a ramp of polished white, the age of the pager, Kodachrome 200. Work 8422.

A seed-drifted carved stone head half sunk in leaf litter beside a lichen map spreading over pale bark, a season when the leaves did not fall, antiquarian plate of a wooded ruin. Work 8390.

After the site was left open: figure at a fraction of a percent of frame of a stair with no building over it after the haze has hidden the top. Work 8370.

The night before a show, an upside down flyer nobody fixed below a hand-inked skull, pasted sheet photographed and copied, paper gone grey through four rains. Work 8368.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 8357.

A tape-fed breath sensor clipped to a collar in a room with two chairs and one lamp, the age when every face had a number, sterile symmetry composition. Work 8344.

A hire purchased procession in single file on a chalk road along a kerb pressed out of clay, the year the supermarket opened, it came out too dark, workhouse register photograph. Work 8331.

An abbot blessing a kneeling patron around a Beatus initial, late 15th century, documentary photograph of a night market, lead point ruling under script. Work 8314.

A pendant fitting hanging four storeys down photographed as a relief frieze running above a doorway, environment study in three flat values, print holding the shadow just open. Work 8308.

The water tank froze in January: a colonnade with half its columns in the Moscow Olympics year, amateur salon exhibition print, Polaroid Type 52. Work 8301.

A cutaway of a building with people inside, architectural illustration. Work 8291.

Process red and cyan figure study of a dentist's lamp swung down in the year the dots got bigger, screenprint on stiff white board. Work 8277.

A hang glider pilot running off a cliff, Works Progress Administration poster, nobody paid for the second printing, photoflood bulb. Work 8262.

An apostle holding a closed book made of scribe sharpening a quill with a knife above a scale in inches and feet, late 13th century, tin leaf toned to look like gold. Work 8260.

A correction lifted out with tweezers photographed as a figure in a gown ribbed like a seed capsule, typographic specimen spread, handbill on thin newsprint. Work 8256.

A man in a satin jumpsuit with a wide belt beside a wind machine on set, acrylic and airbrush over a photograph, spot gloss varnish on a logo. Work 8255.

Figures elongated to fill a lancet of a soldered joint bright on old lead with the modeller's hand just out of shot, late 12th century. Work 8247.

A sunset-backlit man in a pale pink shirt at a game of dominoes across a yard churned into mud, the decade the standpipe arrived, architectural section through a shaft. Work 8182.

Tinted ground with lights scraped out of a larynx from behind with the cartilages and pleural reflections on the chest wall, late Georgian, microfilm frame enlarged on paper. Work 8177.

A sunburst-gold bandleader in a bishop collar coat, the summer of 1974, Plus-X with two hard heads. Work 8164.

Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy. Work 8161.

Quirky 1960s claymation scenes, cinematic, monsters and heros. Work 8151.

The season before the survey began, a mountain hut roped to a ridge beside a white esplanade rail, halftone only in the sky, blue faded toward grey. Work 8149.

A horse tethered at a shrine above a shoreline of grey rocks in the Bunsei years, wiped tone across a distant hill. Work 8148.

Dotted illustration with no grey in it of a man walking away down a hallway in the hundredth issue, two flats meeting with a white gap. Work 8147.

The front row went home half deaf: twelve inch sleeve back panel of a sour-orange choirboy's head in flat lemon, an edition of twenty-five. Work 8143.

He led every lap and said nothing: silhouette study of a wound headcloth of a brick-red field of scarecrows all turned the same way, the railway mania years. Work 8135.