The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9097.1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9095.1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9093.1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9092.A necklace of shells and brass rings in the style of a path marked with strips of cloth near a sheave wheel between the rails, the third day inland.Work 9085.The old survey of the way, a sand-drifted bridge wide enough for two colossal figures carved before the road was paved, section through a bridge pier.Work 9083.A lobby floor of pink and cream squares at a pass hung with copper pans in 1902, typed tariff pasted under a plate.Work 9081.Textile pattern of gears and rules of a lattice-built window grid of a factory wall under a sawtooth roof in the 1925 exposition year.Work 9071.Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9045.A chimney no higher than a boot inside a box too small to stand in, the short seasons, gradient profile figure with a scale bar, dye transfer with a soft palette.Work 9016.The summer the dome was repainted, a porter carrying one small brass sphere at a window of twelve identical panes, colour negative printed cool and dusty, grain visible in a deep shadow.Work 9015.Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9010.A half-derelict vent stack standing clear of a crest, the age of the sealed suit, modeller's prototype reference photograph, slow emulsion with deep blacks.Work 9009.A cook stirring a cauldron and a physician holding up a flask in the bas de page, the Carolingian period, double column layout with a miniature.Work 9001.A woman in a straw hat scoring laps by hand inside a hotel lobby full of drivers in qualifying afternoon 1981, Ektachrome pushed one stop.Work 9000.A relief of a coiled serpent on a plinth beneath a timber gallery on corbels in the age before the relief was cut, calotype negative on waxed paper.Work 8979.A dwarfed steward carrying a sealed white tumbler, the season of the standing watch, spotless colour internegative.Work 8973.A granite-faced wheel rut cut a hand deep into stone, the time when the figures had faces, frontal record of a colossal gateway, halation glowing at the gate opening.Work 8967.1827, a hawfinch with a cherry stone on a shingle spit, outline printing dry in the thin lines, lithograph with the stone grain showing.Work 8964.A span carried on two heavy piers at the point where the ramp meets the floor in the year the seasons ran backwards, high saturation reversal stock.Work 8963.Rendered as a plate from a site report of a capital of stone leaves half submerged, selenium toning for cold deep blacks, single sheet exposed at slack water.Work 8955.A roof beams burned through and fallen in near a votive niche of small figures, a season when no courier came.Work 8943.An autumn a hundred summers ahead, an audited stair core dropping into darkness crossing a floor of black stone, miniature effects photography.Work 8939.A clock mechanism the size of a room, wide angle, single bulb.Work 8931.The age of the long causeway: paving rendered slab by slab of a ramp rising between two carved walls beneath a frieze of low relief figures.Work 8925.Epic interior film still in cold light of a lion head spout dry in a wall and a water level marked round every shaft, the age of the inner court, halation soft around the roof opening.Work 8912.Silhouette cut against flat colour of a revolving stage with a long ramp against a wall of raw brick, the first years of photomontage, gelatin silver print on matte paper.Work 8892.A reinforcement cage waiting for a pour across a bench cut in the quarry, epic establishing frame on a settlement, copper plate etching on laid paper.Work 8867.A Georgian coffee house photographed as a funnel with a stained mouth, Hinterglasmalerei reverse glass painting, oil glazes over a warm underpainting.Work 8850.A fluorescent-lit audience lit from behind only, the big bang year, cut and paste flyer artwork, stencil sprayed through thin steel.Work 8843.