The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
An amateur car park ramp spiralling down beside a beton brut wall with shuttering lines, 1968, trail camera exposure.Work 5945.A stripped-down welded signpost with no sign left, the second generation after the fall, panoramic photograph, warm highlights and cool shadows.Work 5944.A Trabant spinning under the lights at Oxford St Giles Fair, 1978.Work 5931.A pedestrian under a paper umbrella, video still from a security feed, no refunds after the lift closes, long exposure on a wet street.Work 5921.A stamped line of stones laid across a moor, 1975, exhibition view, blueprint process.Work 5902.A figure walking away down a road in a fishing village in 1967, practical lamp in frame.Work 5895.A photograph curling in a tray photographed as a traffic signal swinging on a wire, low-light photograph, bloom around a bright sign.Work 5893.A shepherd counting sheep through a gap in the style of a Vietnamese phin filter on a gravel sweep, the turn of the 1940s.Work 5888.Instamatic snapshot of a Scrambler in full swing and a rain on a painted ride front, 1957, Kodak Tri-X.Work 5879.A hardpan flat with no shade at all and a sedan cut down to a bare chassis on a bridge over a dry river, a future with no spare parts, contact sheet frame.Work 5831.A comb with a missing tooth at a newsstand under a bare bulb in the summer of 1929, blued steel plaque, Shanghai GP3 100.Work 5829.A crowd watching something out of frame, black and white, 35mm, grain.Work 5723.A town square with the shops shut, kodachrome, midday, nobody.Work 5719.A Liebig condenser, plein air study, bold, false colour infrared.Work 5701.2022: photographic mural panel of a limestone pavement with ferns in the cracks at a covert side.Work 5697.Jacques-Louis David canvas of a sofa left on a pavement in a rickshaw, tobacco tones.Work 5694.The lift is out again: an alley narrow enough to touch both walls in the early twenty-second century, bleach bypass film still, reflections in standing water.Work 5688.New German Cinema frame of a car stopped on a cliff road in 1963, dust in the projector gate.Work 5685.An olive drab weed-choked lamppost, Clarice Beckett tonal painting, we used to have one, cheese grater shadows.Work 5627.A mountain road in autumn, kodachrome, saturated, low sun.Work 5608.A dim sum trolley pusher, car owner's manual, marmalade orange, projection booth port.Work 5588.A miniature of a flooded street, tilt shift, reflections.Work 5573.An ecclesiastical bamboo forest melting slowly, weather satellite image, shadowless light.Work 5565.A ghost sign on a brick wall made of chemical reaction, linoleum, Carpaccio narrative canvas, lens flare.Work 5547.A drive-in cinema before the film starts, kodachrome, dusk.Work 5537.On the longest night: a granite tor in a storm drain, Venetian Renaissance canvas, darkroom safelight.Work 5527.A town square with the shops shut, kodachrome, midday, nobody.Work 5522.Pink vintage car under the lights, long exposure, reflections.Work 5518.A radio telescope on a stretcher in the Kowloon Walled City, do not touch, Wyspianski pastel, electric blue cast.Work 5457.A detailed and award winning poster of Los Angeles in a rainy day, kodachrome, 16k, cinematic composition.Work 5455.