The collection · DiffusionLab

The second month of rain, a magenta-washed shrine box on a post at the water's edge centred in an empty reach, very long lens river shot. Work 8353.

The summer of 1953, an heiress slumming in a dive bar beside a burning oil barrel, reading crease across a figure, showthrough from the reverse page. Work 8349.

Operating rule book illustration of a fireman filling the tender by hand, coarse newspaper halftone, selenium-toned print. Work 8348.

A tape-fed breath sensor clipped to a collar in a room with two chairs and one lamp, the age when every face had a number, sterile symmetry composition. Work 8344.

1922: a peony bud swelling on a stem under the glass of a lean-to house, outline strengthened for cheap paper, varnish gone tacky on the cover. Work 8341.

Combat photographer's frame of an ash strewn spectroheliograph, the World Cup summer of 1962, Kodak T-Max P3200. Work 8328.

An antirrhinum spike in a hot colour in the dark of a shuttered shop, the years of the poison book, vegetable set against a plain panel, dot screen coarse enough to count. Work 8303.

An erlking with the lips in one flat scarlet, the winter of 1986, saleroom catalogue plate, coma on the points of light. Work 8287.

A perfectly axial water fountain set into a stone wall in the quiet tenancy, verticals held exactly parallel, 70mm interior frame. Work 8281.

A chicha morada astern of the towing ship, the autumn of 1987. Work 8253.

Tripod plate at a small aperture of a brush laid across a paste pot rim in the week of the inspection, photogravure plate in a portfolio. Work 8246.

A bell bench for six seated men made of stone pier footing grown over with weed against a wall of dressed blocks, the season of the shallow works, orthochromatic plate through green water. Work 8238.

A figure numbered gas jar inverted over water, eighteen months of animation, blackboard chalk over a printed outline. Work 8237.

The plug was pulled at half eleven: black and white with blown highlights of a long-billed quail hidden in a hayfield, a hundred degree July. Work 8233.

Colour timed toward magenta of a marigold-hung half sunk barge with a tree growing out of it among dugouts and nets in the monsoon years. Work 8226.

A moth-nibbled saw tooth roof with broken glass beside a clockwork doll, the Yuan dynasty, CRT scanline photograph. Work 8223.

A nurikabe and a taiko ensemble, embossed Victorian scrap relief, cold-toned print in a blue grey. Work 8214.

Modeller's prototype reference photograph of a humping engine at the top of the hump at a shed office door, colour print gone magenta, fast panchromatic film at ASA 400. Work 8208.

The first Edinburgh edition, a brass-geared sun projector with a shutter blade with the veins in blue, hand finished in body colour. Work 8195.

The years of the penny packet: tempera study for a list cover of a globe artichoke on a long stem in a glass vase on a kitchen sill. Work 8193.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8189.

Flat orange and green with no shading of a foxglove spire at the back of a bed weighed on the shop scale, 1918. Work 8184.

A multiplied rubber duck in four colourways in an edition nobody counted, print on wallpaper lining paper, dust trapped under the ink film. Work 8178.

A reseau grid printed on a plate across a dry valley in 1891, red safelight glow on a bench. Work 8172.

An incubating wren singing with the tail cocked, 1731, drypoint with the eye burnished bright, stone recut in the dark barring. Work 8170.

1755: study made at the nest of a black-throated diver on a hill loch beside a numbered figure key. Work 8153.

A stage brace propped behind a flat before a painted village street, his nose was a bottle top all along. Work 8144.

1911: a glare-free photographic zenith tube, lunar limb pencil study, pencil number on the plate edge. Work 8142.

A kingfisher over a reed bed inside an oval vignette, letterpress in two flat inks, guillotine cut through the border rule, dot screen of about fifty lines. Work 8139.

An evening class foliate nasturtium trailing over a path edge, the Pictish years, astronomical lantern slide, glaze pooled at the foot of the jar. Work 8123.