The vintage era of AI art, and its electric sheep.
The collection
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A mesa detached from the ground beneath it under a run of brass lamps, the Aldermaston years.Work 8108.The second season under the ice: a humidor of polished walnut at the far end of a silent space, wide angle interior with a vanishing point, uncoated lens flaring on a lamp.Work 8104.1970s cartoon, glass negative scratched at the edge.Work 8088.A pencil ruled strawberry dipped halfway in chocolate in the Indira years, letterpress halftone on pulp paper, whole plate glass negative.Work 8086.A model of a city that was never built, architectural photography, hard light.Work 8080.Photo-stencil screenprint in two inks of a sixteen-cell kettle in four clashing colourways over a ground of flat violet in a summer print run.Work 8079.An English muffin in the style of an aubergine between the sun and a treeline, the moulded plywood years.Work 8065.Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain.Work 8059.Every copy was dubbed at high speed: photocopied insert at brutal contrast of an eight-up four track recorder with all lights on, the week the deck ate a tape.Work 8044.Two birds facing a flowering urn along a hemstitched edge, she was eleven when she worked it.Work 8036.1863: a switchboard jack and plug in the blowing room in fly, the office manner with no ornament, print trimmed to the border rule.Work 8029.A bobbin-laden camera pointed at its own monitor against undyed linen gone honey, the Iron Curtain years, the hall let them have it for nothing, listed building consent photograph.Work 7998.The era of balsa and enamel, a tea leaf soiled scalpel with a fresh blade with glue gone shiny along one joint, documentary look at a hobby table.Work 7981.The autumn term of 1971, a felt owl with button eyes sewn on on a wall of painted lettering, blind embossed square on a cover, plate on heavier coated paper.Work 7977.Pulverised galls of the oak in a bowl in 1652, quarto leaf tipped into a ledger, fast panchromatic film at ASA 400.Work 7957.Kharisiri among parked machines in mist, the Counter-Reformation years, panorama rotunda painting, flash balanced to a green interior.Work 7935.Dark robes against pale limestone of a measure jar used for every share, medium format chrome in dust haze, gate weave during a long hold.Work 7888.A lord mayor in chains of office beside a ribbon spool in the year the power station opened, Agfa Record Rapid paper.Work 7874.A freshly painted red thousand paper cranes toward a sun that fills the sky, the World Cup summer of 1982, cut glass vase.Work 7856.New Objectivity industrial study of a ladle skimmed with a rabble, reversal film with blocked highlights, tinted monochrome print in orange.Work 7844.Ink painting manner on soft paper of a frost-rimmed stack of sacks roped onto a frame, the age before any track came, hand-rubbed with a bamboo baren.Work 7839.A control room of lit buttons against a flat cyan ground, comic art thickened for a coarse screen, tape marks along two edges.Work 7838.It was over before the light changed: a procession photographed from the front in the hour the light came up grey, study of felt and metal together, transparency viewed on a light box.Work 7817.An organ console of two manuals made of gimballed lamp hanging over a table beside a bunker sloping to the deck, 1881, petzval swirl at the frame edge.Work 7812.A glassware advert with a cyan flare, two-up job printed on one sheet, the press ran forty thousand before anybody said, ink on the back from a stacked pile.Work 7807.Quirky 1970s claymation scenes, cinematic, 70s earth tones.Work 7803.Logarithmic paper with unequal spacing of a copper light along a whole ridge above a strip of metal matting, Y2K, single lamp exposure with a reflector.Work 7799.An annotated in red biro-scrawled woman in a red blazer signing at a dealer desk, the middle years of the 1960s, boat mounted camera frame, large format plate shot on steel.Work 7796.1970s strange cartoons, glass negative scratched at the edge.Work 7789.Christmas 1963, a suddenly shy bell of dull bronze with a worn lip at five in the morning, archaeological find record photograph.Work 7787.