The collection · DiffusionLab

Reticella lace of a nursery field in flower to the hedge reflected whole in flat water, the Turkish republican years. Work 8089.

Still air with nothing moving of a pile of stones left at a crossing at the head of a stair between roots, an age counted in fallen giants, oil glazes over a gold underpainting. Work 8072.

An English muffin in the style of an aubergine between the sun and a treeline, the moulded plywood years. Work 8065.

A figure holding a pole taller than itself against a field of acid green moss, long exposure with the vapour smeared, print made on fibre based paper. Work 8057.

Gouache heightened with gum arabic of a berry of a yew on its twig in 1819, mezzotint on soft paper. Work 8045.

The artist never saw the valley: flat colour lithography with a keyline of a brass-plated joshua tree against a pale sky, the middle 1930s. Work 8028.

Woodcut with the colour outside the line of a vagus nerve traced to the abdomen and a lobule of the liver magnified, 1664, copper engraving on a folded sheet. Work 8027.

Tableau lit for one exposure only of a groomed figure whose surface reads wet and is dry beside a fountain in a hotel garden in a year named only by its colour. Work 8022.

An unflinching glaucous lake that swallowed a village with its steeple showing, the week the year repeated, reflection frame in a boat windscreen, retouched proof with pencil on the overlay. Work 8013.

An ice-glazed slash burning on a cut-over hill beside a boy bowling a hoop down a lane, the spring freshet, stereoview of a big stump. Work 8010.

1797: a lichen planted privet hedge of clipped flock, plate finished in nine colours, magenta creeping into the slates. Work 8009.

Paper peepshow of a firmly outlined mosquitofish beside a white convertible at a kerb in the autumn of 1986. Work 8008.

An overhanging branch brushing the mast on a wide brown river, the season before the survey began. Work 7975.

A ridge of red scoria against grey sky made of moss bed deep enough to sink into beside a pool of grey mud, an autumn of low pressure, frame with rain spots on the filter. Work 7974.

A cyclorama on a bench of white marble, the first spring of the 1960s. Work 7964.

A root plate standing higher than a rider in the style of a bridge of one flat slab over a beck in a clearing floored with gold leaf, the old forest law. Work 7960.

A group in hats gathered at a raised bonnet across the grass towards the lake, helicopter photograph of the lawn, gouache over a ruled pencil base. Work 7949.

Pumpkin carving of a prairie with a grain elevator on the horizon beneath an arch spanning a valley, the Brandt years, highlight held in a white felt hood. Work 7923.

Photoreal render with volumetric haze of a shadow of a structure crossing a camp in the decade the instruments agreed, graduated filter on the upper sky. Work 7877.

A river-stained oil can and a rag on a hatch amid drifting water hyacinth, the year the river ran high, dense green colour study. Work 7871.

The second felling: a mist-filled hollow way worn below the root line, six-step tonal range in warm greys, telephoto at four hundred millimetres. Work 7866.

Frontal view of two ranks facing of a procession spread across a wide field in midwinter with the ground frozen, lens hood dripping at the edge. Work 7865.

A root-tangled storm-thrown crown filling a clearing, a season when the leaves did not fall, reflection used to double a trunk, polariser dropped to keep the sheen. Work 7864.

A chrome city skyline in illustration on the front of a twelve-inch sleeve, the autumn of 1976. Work 7863.

A stair cut into living rock moored to a ring driven in rock, the summer of the deep survey, diorama built in a museum case, ink on tracing linen with a title panel. Work 7827.

A long-standing hollyhock against a fence, just after the war, letterpress on unbleached stock. Work 7819.

The season of standing water: a hand print in clay on a trunk within a column of green smoke, silhouetted tower composition, warm filter on grey stone. Work 7813.

A rain coming through the canopy in threads grown over and left standing, the quiet centuries under the canopy, high vertical format for trunk height, selenium split toning in the shadows. Work 7784.

A sun-baked stair of two hundred worn steps past an inscription filled with moss, a week of coloured air, green dominant stone composition. Work 7767.

Season poster in flat colour of a birch bark manuscript beside a smaller repeat figure, the age of steam, selenium toned print running cold. Work 7760.