The collection · DiffusionLab

An over-scaled late sun striking one column only in the years the boats came inside, grain left visible on the water plane, lithograph with a cold tint plate. Work 9518.

Engineering line illustration of a pit village terraces up a bank in the war years, magnesium flash powder exposure. Work 9517.

A preserved smuggled scale pan heaped with grey powder, a wet March in 1992, hard flash falling off to nothing, etching on soft laid stock. Work 9509.

Works photographer's plate of a tongs crane over soaking pits with the stack gone cold, 1912. Work 9499.

A figure in a shawl of beetle green thread and a painted arrow faded to a ghost beneath a sky bleached to bone white, late in a season of still air, long lens compression across bare ground. Work 9497.

The late 1990s: a paste-dribbled culvert of brick under a track, sharp foreground paper and black behind, lithographic leaflet in three inks. Work 9493.

A rock-set dust-banked dust pooling against a flat face, the age with no answer in it, near monochrome with one warm ground, halation glowing round a bright edge. Work 9491.

Outside broadcast camera frame of a bottle sparkler held high in a booth and a whole floor singing one line together, the spring of 1980, push-processed grain in the shadows. Work 9490.

Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9487.

An irritable vase with a chunk missing turned to the wall, the August bank holiday of 1976, silverpoint on prepared board. Work 9481.

Mid-century, an overblown flowering stem of a common valerian with the soil still on the root, stipple laid in with the needle alone. Work 9475.

A bucking saw across a windfall among stumps and snags, timber cruise field photograph, sepia print on rough stock. Work 9470.

Ring flash beauty photograph in whites of a woman in a gown sitting on the arm of a chair beside a wheel with a crowd around it, work print cropped to the hands. Work 9469.

Fish curing trade advertisement of a lorry loading boxes at a market door over the trawl gallows, coarse screen from a local paper, engraved line on a steel plate. Work 9468.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9467.

Seventy millimetre landscape with one figure of a figure standing where the horizon bends, enlargement made to two metres wide, scan with grain visible in the sky. Work 9466.

A train driver's head in two tones and a printer's head in ink black beside a ferry rail in flat blue, the season of the loud palette, rephotographed portrait flattened again. Work 9465.

A pellet plant balling drum and a blast furnace with a bustle pipe, stereograph of a rolling mill, ferrotyped print with a hard gloss. Work 9462.

A crew member with a helmet tucked under an arm, arc light blowing out one corner, the suit was three sizes off and worn anyway, colour negative timed for the suit whites. Work 9459.

A timber-jettied 0-6-0 tank engine simmering at the edge of a dry lake, the front half of the 1960s, the gate was always open, Bertillon anthropometric plate. Work 9453.

A nón lá and a house split in two by a crack at a shipyard berth, the year the first computer arrived in the office, folding bellows camera snapshot. Work 9452.

A weather-greyed oil-soaked planking grain ticket book on a counter, the dust years, pen and ink illustration of a grain town, red filter darkening the sky to black. Work 9446.

The height of the motor show boom, a chrome-bumpered couple beside a coupe with the doors raised with driving gloves still on, corporate portrait beside a company coupe. Work 9443.

A stair rising out of the water to a door beneath a coffered ceiling reflected whole in the long wet age, photogravure with a deep vault black. Work 9442.

A flowering branch of an elder facing a dense page of description, aquatint in two inks, mezzotint on soft paper, sheet tanned where the mount touched. Work 9430.

A hand-inked bête du gévaudan, the year the parcel office shut, buncheong ware, blue holding while the yellow went. Work 9418.

A conducting bundle of the heart traced and a stomach laid open to show the rugae among eight small figures on one plate, the Edwardian reissue, tinted ground with lights scraped out. Work 9412.

Silhouette against a bleached sky of an immeasurable tape run out along a base, fifty generations of looking, inkjet on a heavy smooth rag. Work 9408.

A movie poster for a monster nobody sees, negative space, small figure. Work 9405.

A motor coach parked at a viewpoint made of grand hotel awning above the sea under a sky of three flat blues, the 1937 season, photographed under raking light. Work 9401.