The collection · DiffusionLab

A dining room of tables set alike beyond a terrace rail above pines, the spring the facade was repainted, pastel study of a lobby, photostat of a floor plan. Work 7130.

A biosphere dome made of beluga blowing bubble rings by the only lit window on a face, the winter of 1968, hand tinted engraving in pale washes. Work 7109.

The upper floors were never opened: monochrome with a cold concrete grey of rectilinear weep holes streaking a concrete face, the second building programme. Work 7098.

Resort brochure colour photograph of a gong with a hammer resting against it handed over a table at the door, the mid 1850s. Work 7095.

An airless bolted-together suit stand with a helmet on the shelf, the last of the crewed stations, concept illustration in cold greys, lith print with a crushed shadow. Work 7086.

Stone and water treated as one material of a haze-greyed gold light coming in low through a door in the fifth bay gone to pale grey in the age when gold was still on the plaster. Work 7064.

The years the towers stood empty: a canopy pressing against a stone wall among fallen blocks, haze separated tower planes, neutral density in a hot courtyard. Work 7032.

A shouting tape over a broken window pane in two weeks before the hall closed, photograph creased across a corner, print made in a bathroom darkroom. Work 7019.

Architectural photograph with a shift lens of a woman in a gold belt on a black lacquer table in winter 1983, grain enlarged from a small frame. Work 7015.

The lounge held eight people and echoed: backlit haze photography of a wire-braced sextant sighted through an open panel, one year after the road closed. Work 7012.

White space treated as a shape of a slatted chair of plain oak across a folded leaflet's panels, 1919, phototypeset headline in one weight. Work 7005.

Frontal frame from a shot list of a half sectioned iron bedstead, the first year of the internet, impression taken before the lettering. Work 7002.

A Roman galea across a gorge from a second tower, the red plate printed low all run. Work 6995.

Dome construction blueprint of a time signal receiver with headphones and a setting circle read with a small lamp, 1904, moonlight exposure of many minutes. Work 6969.

The season the funicular opened, a dumb waiter hatch in a panelled wall toward a mountain wall in a window, large format colour with a deep haze, violet ink number in a margin. Work 6959.

A barrel cactus in flower on a veranda above a valley, uncut sheet with register marks, chalk price wiped from the surface, proof pulled before the black went down. Work 6954.

A sun-backed rotor blades blurred into a grey disc through a curtain of spray, the short season of clear mornings, the shadow arrived first, 70mm silhouette frame. Work 6944.

The key came back on the wrong hook: baths of white tile in a row in the months nobody travelled by day, wide angle interior with true verticals, registration soft on the far ridge. Work 6931.

Leaded stained glass with painted trace of a highlights picked out of a matt in the head of a tall church window, pot metal glass leaded with painted trace, broken glass held with a mending lead. Work 6922.

Two attendants carrying a rolled white mat and a figure descending a ladder of lit rungs behind a hatch of smoked glass, the second century of the passage, deep focus anamorphic frame. Work 6917.

A housing slab standing clear of a mesa with one lit window in a blank wall, the years the works ran on, section through a terraced block, barrel distortion left uncorrected. Work 6900.

A lamp hut with numbered hooks at a platform two bricks high, ink illustration on linen tracing, anamorphic frame with muted highlights, carbon print with a heavy shadow. Work 6879.

A figure in boots moulded from pale beeswax on a mathematical grid in the late 1990s, archival print made for a wall. Work 6866.

The week the plant stood empty, a synthesiser built into a steel case in front of rolling scan lines, lith print with crushed midtones, dust specked enlargement. Work 6824.

A battery room of tall glass cells behind a wind screen in the late 1890s, single lamp exposure of an interior. Work 6800.

The winter of 1969: backlit silhouette against water of a pancake stuck to the ceiling among eleven identical chairs. Work 6789.

The console lamps lit the operator's face: dome maintenance record photograph of an oil-smelling worm gear on a polar axis, 1923. Work 6786.

Flush left and ragged right setting of a wooden building blocks in primaries and a portfolio case tied with tape, the Basel school years, hairline rule printed at a quarter point. Work 6778.

Tonal split of metal and upholstery of a haze-hung smoking room lined in pale panelling, the first season of the mast, magnesium ribbon burnt for light. Work 6775.

The year the lamps were replaced: a surface mark buoy with a flag on a low table of dark slate, volumetric beam through suspended silt, print toned toward blue in the shadows. Work 6744.