The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Glass shot reference photograph of a soldier's face in flat olive against a shutter of mint boards, the 1960s, slide taped and numbered.Work 8112.A bassist with a thumb on the low string, poster paint illustration in flat colour, she picked the gowns herself, faded Ektacolor gone warm.Work 8111.1970 cartoon, animation, film still, distressed.Work 8110.A helmeted hornbill, the winter of 1960, winter fashion editorial spread, photostat on thin glossy paper.Work 8109.A mesa detached from the ground beneath it under a run of brass lamps, the Aldermaston years.Work 8108.A Swahili doorway photographed as a sky lobby, low angle hero shot of a tower, wide angle at 28mm on the terrace.Work 8107.A rain coming through the canopy in ropes and a shaft of light on wet leaves amid moths around a flare, the short tropical dusk, two colour lighting still.Work 8106.A loading dock cut into a cliff base beyond the last finished block, he argued it and still shook hands.Work 8105.The second season under the ice: a humidor of polished walnut at the far end of a silent space, wide angle interior with a vanishing point, uncoated lens flaring on a lamp.Work 8104.The season the wells were counted: rendered in one shaft of hard light of a sample pan of hard red wheat among the stubble at sundown.Work 8103.A magenta-hazed temple gate with a carved face under a canopy pressing on a wall, the last of the wet months, the smoke would not leave the gallery, unhurried held composition.Work 8102.1970s strange cartoons, glass negative scratched at the edge.Work 8101.A pagoda above a lake of flat water above a coastline seen from the air, three colour jobbing work, scanned from a linen-backed sheet, progressive proof of the reds alone.Work 8100.A blueprint of a machine with no purpose, cyanotype, fold creases.Work 8099.A unicorn laying its head in a lap made of directory board of labelled numbered floors on the recto of a folded quire, around 1180, quill and iron gall ink.Work 8098.A landing window on a stair turn against a field of yellow stain, aciding and plating for a single tone, two firings for trace and matt.Work 8097.1970 cartoon, animation, film still, distressed.Work 8096.A bricked arch with one course removed sheltering against a warm duct, a hundred years after the first bore, smoke-filled stage underground, blueprint process on blue paper.Work 8095.The carving was newer than the tree: sun damaged instant print of a wind-polished cliffside castle, the Swedish record years.Work 8094.He hit the mark with the beat: a low rail padded in buttoned leather in the year the gantry was built, volumetric beams through a hangar haze, bounce flash off a white flat.Work 8093.Red signal light as an accent of a rust-scaled kettle set down beside a rim, the decade the maps went out of date, dye transfer print in stone and rust.Work 8092.An arch-spanned trough cut from one block of stone, the age of the road builders, near-monochrome stone with gold accents, ground glass squared to the road axis.Work 8091.The Ottoman classical age, a bell that rings silence along a lit walkway to the floor, gum bichromate over a warm ground, green cast from ceiling fluorescents.Work 8090.Reticella lace of a nursery field in flower to the hedge reflected whole in flat water, the Turkish republican years.Work 8089.1970s cartoon, glass negative scratched at the edge.Work 8088.1838: a guillemot on a bare ledge against a ground left bare, lithograph transferred from a field study, sulphur yellow in the highlights.Work 8087.A pencil ruled strawberry dipped halfway in chocolate in the Indira years, letterpress halftone on pulp paper, whole plate glass negative.Work 8086.Czech matchbox label art of a cigar band on a rolled leaf in the post-war export years, strike grit shedding at an edge.Work 8085.A mint-coated mineral chip numbered on a white spot in the year the labels were retyped, highlight on a polished brass fitting, line block engraving with part numbers.Work 8084.A sweat running down a shaved head beside a stacked amplifier, a Tuesday in 1994, monochrome with the greys squeezed out, flat ink pulled through a fine mesh.Work 8083.