The collection · DiffusionLab

A sourceless-lit pump rod running down into water inside a winding house of stone, the first winter below, person reduced to a mark on a shore. Work 7962.

A gilt-rodded uniformed figure dwarfed by a two storey orrery, the summer the dome was repainted, symmetrical one-point interior plate, stipple shading on a brass figure. Work 7961.

A root plate standing higher than a rider in the style of a bridge of one flat slab over a beck in a clearing floored with gold leaf, the old forest law. Work 7960.

Telephoto flattening a hundred floors of two workers on a gondola at cloud level and an engineer in the tower's structural core, the third generation of shareholders. Work 7959.

A figure in mirrored lenses among carvings, a day the stone stayed cool, low angle up a stone stair, print graded warm on the stone. Work 7958.

Pulverised galls of the oak in a bowl in 1652, quarto leaf tipped into a ledger, fast panchromatic film at ASA 400. Work 7957.

A hotel monogram repeated on a carpet beneath a mounted ibex head, long exposure of an empty dining room, letterpress with a caption block. Work 7956.

A resolute wind slab cut into blocks at seventy degrees north, 1903, museum exhibition enlargement. Work 7955.

A vapour-wreathed lift bank of eight numbered doors, a spring of long daylight, long lens at two hundred millimetres. Work 7954.

Reproduction with the paper grain in it of a halftone face on an insert gone to mud posted for three dollars and a letter, the last dub off the master. Work 7953.

A thorn-fenced couple in matching towelling on a stone step in the Chilean Unidad Popular years, anamorphic print with a soft edge, Polaroid 669 peel-apart. Work 7952.

Severe geometry in saturated light of a traveller in a garment of pleated iridescence through a cloud of blown earth, the moment stretched past counting, exposure long enough to smear the light. Work 7951.

A well shaft opening in a dune hollow made of knot being pulled down onto a frame atop the highest ridge of the field, the age of woven girths and brass, gold toned print with a long scale. Work 7950.

A group in hats gathered at a raised bonnet across the grass towards the lake, helicopter photograph of the lawn, gouache over a ruled pencil base. Work 7949.

A butcher's head in flat pink printed again in a worse pair of inks, a run of six heads in six inks, portrait print with an overprinted edge, guillotine cut through the chin. Work 7948.

A tap dancer on a staircase, the Song dynasty, lift indicator detail plate, foxing on the print. Work 7947.

1970s wallpaper. Work 7946.

1970s wallpaper. Work 7945.

Socialist realist mill scene of a club moss and a Cold War fallout shelter tin, Christmas 1980, optical composite over a matte. Work 7944.

A doorway with a single bulb above it and an inspection gantry level with a parapet, official report frontispiece, offset litho in four muted inks. Work 7943.

Blunt high contrast portrait copy of a rum-warmed pineapple crowned with leaves, the Blitz, corner worn round in a pocket. Work 7942.

A hessian scarecrow with straw cuffs with glue gone shiny at the neck, 1851, late impression from a worn plate, dust and hair from a projector gate. Work 7941.

Concept illustration in flat ochre of a monolithic survey stake driven into hardpan beyond a ridge many miles off in the years the maps stopped agreeing. Work 7940.

The Wars of Religion years, a municipally funded show king pigeon in a pork pie hat worn at an angle, warm stone against cool shadow. Work 7939.

The last shot took eleven days: a bomb calorimeter in the first summer of the 1970s, rod puppetry shot at boards level, print with the hue flat corner to corner. Work 7938.

A woman in whites sitting on an umpire chair across Melville Bay, 1913. Work 7937.

A waterfall dropping in three stages in the style of a guitar with a broken string on a launch pad of flat scaffolding, the Wars of the Roses. Work 7936.

Kharisiri among parked machines in mist, the Counter-Reformation years, panorama rotunda painting, flash balanced to a green interior. Work 7935.

A figure in profile with a raised arm, overprint of red over black halftone, the press was hand-fed, uncoated stock with a rough tooth. Work 7934.

A road station of two rooms and a yard and an official in a ribbed grey overcoat near a trough cut from one block, the first crossing of the gorge, glare and dust lighting scheme. Work 7933.